Phil Rhodes

Posts by: Phil Rhodes

27 May, 2020

Kyno 1.8 released, and now it speaks to Resolve

Kyno 1.8 is here, and the media management software now speaks to Resolve and handles Blackmagic RAW. Kyno by Lesspain software has been updated to...

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26 May, 2020

At 70 trillion fps, this is the world's fastest camera

Fancy watching a 92,000 year long film? Neither do we, but that's what would happen if you filmed 1 second at 70 trillion frames per second! Image:...

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24 May, 2020

Sensors need better technology, not more resolution

  The Sensor of the Future Replay: This was first published in 2013, but the discussion about sensor technology is as relevant as ever. Just how can...

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23 May, 2020

Rosco Mixbook - The lighting swatchbook reimagined

Review: As mixable LED lights have increased in popularity, so the humble lighting gel is being used less. The Mixbook is a digital solution to an...

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18 May, 2020

This Super-8 music video made a big hit with 5 million views in 5 days

It’s always been fairly rare to see Super-8mm film used professionally. Back in the day, some of the smallest film gauge was shot for news and...

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18 May, 2020

IBC Confirms Cancellation of the 2020 Show

Michael Crimp, the CEO of IBC, has announced that the Amsterdam show won't run in September.

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16 May, 2020

Roger Deakins online answer to film school

Given that several hundred hours of material are uploaded to YouTube every single minute, it’s probably no bad thing that the internet has almost...

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13 May, 2020

Colour Incorrection and mixing old light sources

When we discuss colour in filmmaking, we're usually interested being – well – correct. But we might also talk about the steel blue of night, an amber...

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11 May, 2020

Aputure Releases Light Storm 60x and 60d

With the 300X out and the high-power 600D LED hard light presumably due soon, Aputure could hardly be accused of resting on its laurels.  Recent news...

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8 May, 2020

Fiilex’s New Q5 Color-Mixing LED Hard Light

If there’s an engineering hierarchy of LED lighting, colour-mixing hard lights are at the top of it, combining all the difficulty of colour control...

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