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The FX3 & FX30 can now shoot DCI 4K in true 24 fps, while anamorphic lens desqueeze and breathing compensation bring unified operability and a common workflow to the Cinema Line.
New firmware updates for the FX3 full-frame digital cinema camera (v3.00) and the FX30 Super 35 digital cinema camera (v2.00) include highly requested features such as the ability to shoot DCI 4K in true 24.00p (4096 x 2160) with new format XAVC S-I DCI 4K (17:9).
In addition to true 24p, the new firmware enables anamorphic lens desqueeze options of 1.3x and 2.0x, while FX3 Version 3.00 now features focus breathing compensation. When used with compatible lenses, this minimises the shifts in the angle-of-view as the focus point shifts, with additional compensation available in post using Catalyst Prepare/Browse and the Catalyst Prepare Plugin.
Other functionality has also been added to improve the camera’s ease of use, including the ability to switch from Standard Movie and S&Q Motion modes via the press of a button. File naming is now similar to the high-end CineAlta cameras such as the FX9, VENICE and VENICE 2, to ensure easy workflow, especially in projects where the FX3/FX30 is used as a B- or C-cam.
The new firmware update also features smartphone connection and integrates with Sony’s new Creators’ Cloud platform. Seeing as this also includes the Creators’ App, a content transfer mobile application from camera to cloud, that effectively means C2C workflows are now enabled for both cameras.
Pricing is free as you would expect and it launches today at 21.00 Pacific. Downloads here (FX3) and here (FX30).
Tags: Production
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