Colorfront ports 4K Transkoder to Mac and talks 8K

Written by RedShark News Staff

ColorfrontTranskoder 2016 running on a HPZ840 workstation

Colorfront’s popular tool for DCP and IMF mastering gets a Mac Pro-oriented release, while the PC version adds 8K power and lots of new functionality.

The new, 4K-capable Mac Pro product harnesses essentially the same featureset as the company’s already established PC-based Transkoder system. Key features include UHD video output, Dolby Vision mastering, digital cinema and IMF mastering, plus packaging, QC, analysis and validation tools.

It is being talked about as a ‘cost-competitive entry-point’ for smaller post houses and content service facilities, which is refreshing to hear after all the Mac price kerfuffles of recent weeks.

It first broke cover doing last week’s SMPTE 2016 conference in Hollywood, where, at the same time, the company was also showcasing Update 2 of its 8K flagship Transkoder 2016 system, first previewed at IBC. This has some serious grunt for the top end of the market, and Colorfront says that it is capable of 8K, UHD dual independent video output, and simultaneous real-time views of dual independent masters in a variety of formats and colour spaces.

The SMPTE demo was running on the latest Supermicro workstation, fitted with NVidia Pascal Titan-X and Quadro cards, plus AJA’s high-density Corvid 88 I/O card providing multiple, independent HD-SDI outputs.

Having software with the ability to read, de-Bayer, process and review RAW media from 8K cameras is, of course, increasingly handy at the rarefied high-end of post, but the software is also making a name for itself with HDR QC. Transkoder 2016 covers pretty much all the latest delivery formats — including Dolby Vision, HDR10, HLG 1.2 and SMPTE 2094-xx standards — combining that ability with robust metadata management on HDR and WCG colour transforms, plus support for all the latest production mezzanine formats.

Its mastering capabilities have been further extended recently too with the integration of Netflix’s Photon validation tool, one of the shining validations of the Interoperable Master Format, while there have also been enhancements to Colorfront’s own IMP/DCP validation tools, transcoding, trans-wrapping and IMF QC capabilities, improved closed-caption and subtitle language support, and the inclusion of forensic watermarking via Civolution NexGuard.

Tags: Post & VFX

Comments

Related Articles

27 July, 2020

LaCie 1big Dock SSD Pro and 1big Dock: Your storage media is now an important connectivity hub [Sponsored]

When is storage not simply storage? Today’s storage is now becoming a highly important connectivity hub to help speed up your workflows.

The LaCie...

Read Story

18 July, 2020

The Quantel name is legendary. This is its story, and ultimately what happened to it

The story of Quantel is a classic story of the rise and fall of a high-end manufacturer with a groundbreaking product based on very expensive,...

Read Story

16 July, 2020

Is colour grading essential? Perhaps we are too obsessed with it

The current consensus is that the best practice for shooting is to aim for the maximum options in post. So we shoot in log, or maybe RAW, to give us...

Read Story