The ZEISS CP.3 Cinema Primes have all the characteristics that have made ZEISS lenses sought after for decades. Sharp, crisp images. Immaculate build quality. They’re well known for their sheer value too. The new CP.3 prime lenses and their metadata-enabled siblings, the CP.3 XD prime lenses, stand out because they perform like top-end lenses, while their prices mean that they’re accessible to all levels of professional filmmaking.
CGI and VFX play an essential role in many - if not most - productions today. We’re a long way from the early days of CGI where computers were mainly used to create alien creatures and physically impossible special effects. Today the computer arts have a much more prosaic, but arguably even more important role, which is to replace scenery. It’s often cheaper and easier in today’s environment to create a backdrop (or even foreground objects) artificially than to shoot them on location. Imagine shooting a scene in front of the White House. It’s not going to happen. But with CGI it can.
The same goes for virtually any kind of science fiction. And now, even costume dramas rely extensively on artificially generated scenery. It saves time, effort and fundamentally makes certain types of production viable, where they wouldn’t have been without the technology.
Alexa Mini with the CP.3 extended data set
The pinnacle of CGI and VFX is where live action and computer generated worlds appear in the same scene - without the audience noticing. Matching live action to CGI is an art in itself: it’s easy to imagine the difficulties. But there’s one area in particular where there’s a very significant room for improvement. It’s the process of matching the characteristics and settings of lenses to the computer generated world.
Most of the time, this is a manual process. It involves entering lens characteristics into the CGI software, so that the CGI application can compensate for the difference between the light entering the lens and leaving it. All lenses have a characteristic effect on an image. There’s the “fixed” effect of each lens, which includes Shading and Distortion, and there’s the real time settings of the lens too (Iris, Focus, etc). Each and every one of these parameters will need to be taken into account by the CGI software, in order to map the lens’s image onto the computer generated components.
Adi Geisegger setting up Live Grading
Until now, entering and maintaining this data has been a laborious manual process. But now, with ZEISS eXtended Data technology implemented in the CP.3 XD lenses, the process is, as far as possible, completely automatic. Real-time metadata for focus, Iris, Shading and Distortion is easily transferred to the applications that need to make use of it.
High end facilities will profit from this because they can complete their work faster - and quite possibly better. Smaller production units will be able to work faster and save money - and perhaps undertake projects that they wouldn’t have considered viable before.
For a DITs (Digital Imaging Technicians) and on-set personnel, eXtended Data means that not only the images but vital information about the images can be sent digitally, safely and quickly to post production. In some cases it might also mean that it’s easier to visualise the finished look on-set, which is a huge boost to productivity - and confidence - to the creatives at the sharp end of the production.
CP.3 XD lenses are already proving to be invaluable to users and post facilities alike. Jonathan Jones, Creative Director, Ember Films, told us:
“ZEISS eXtended Data will allow us to speed up the post production process and allow multiple camera units to work more effectively together, all twinned with the optical quality you can expect from ZEISS.
We found the idea of being able to record detailed lens information frame by frame and adjust distortion very impressive. This will open up an exciting new world of creative possibilities.
In the world of motion graphics and live capture, the possibility of seamlessly retaining detailed lens information is massive.”
Live grading on set
In future, there will be even more CGI. There will be more VFX. But that’s just the start. As we move beyond the rectangular screen towards Extended Reality (XR, which includes Virtual Reality and 360 degree video) it’s important to choose lenses carefully.
ZEISS CP.3 lenses with eXtended Data are ready for this new world; a place where metadata becomes almost as important in the workflow as the image itself. They’re a sound investment for now, and a great choice for the years to come.
To find out more about the Zeiss Cine cp3 lenses click here.