Fujifilm upgrades X-T range with XT-3 mirrorless

Written by Andy Stout

FujifilmThe new, fourth generation XT-3 certainly adds some powerful new video features

Fujifilm’s new 26.3 megapixel takes 2016’s XT-2 and adds some significant upgrades, including what the company claims is a world’s first of 4K/60fps 10-bit 4K onboard recording.

At this rate, by the time we get to Photokina at the end of September there won’t be any cameras left to announce…

Following hot on the heels of the Canon EOS R, the new Fujifilm is an interesting mirrorless digital that looks to be punching slightly above its weight in certain key areas, especially given its projected $1500 price point.

It’s based around a newly-developed back-illuminated 26.1MP X-Trans CMOS 4 sensor and the X-Processor 4 image processing engine, which boosts the unit's processing speed roughly three times faster than that of existing models. It now features 2.16 million phase detection pixels, boosting phase detection AF to what Fujifilm says is almost 100% of the entire sensor. Low-light autofocus limit has also been extended from -1EV to -3EV.

The unit’s ISO160 sensitivity, previously available only as extended ISO, is now part of the normal ISO range, and the ability to track a moving subject has also been improved with blackout-free burst-mode capability. Weight is a meagre 539 grams including battery and SD card. And all of this is very nice, but it’s the extended video recording capability that really catches the eye.

10-bit 4K

“This is the world's first mirrorless digital camera capable of recording 4K/60fps video at 4:2:0 sub-sampling with 10 bits in an SD card in the camera body,” states Fujinon boldly. It can capture approx 20 minutes of such footage; 30 mins if the framerate is dropped to 30fps or lower. "It is also the world's first mirrorless digital camera with APS-C or larger sensor capable of HDMI output of 4K/60fps video at 4:2:2 sub-sampling with 10 bits for greater color information.”

All of which is very cool, though it does mean working with H.264 or H.265. Still, using HEVC allows users to specify a high-quality bitrate of 400Mbps when shooting 4K at 30 or 20fps, otherwise it’s pegged to 200Mbps. The also features roughly 12 stops of dynamic range, new noise reduction processes that improves noise at ISO12800 by about 2 stops, and the minimum sensitivity for recording F-log footage has been extended from ISO800 to ISO640. Rolling shutter is down to a reported 10 milliseconds.

Lastly, a firmware update due by the end of the year will add support for HLG recording, as well as giving the the ability to simultaneously output Film Simulation video and F-log footage.

Release date is September 20th.

Tags: Production


Related Articles

2 August, 2020

This is how the first DV cameras changed video production forever

The 1980s were the decade when video began to encroach on film – certainly for TV, if not for cinema. The 1990s was the decade when digital cameras...

Read Story

1 August, 2020

This is one of the biggest influencers on modern video you might not have heard of

If you’ve started using cameras in the last few years you might not be aware of just how far cameras have come. For some time one of the go-to...

Read Story

31 July, 2020

Why do we keep thinking in 35mm for focal lengths?

Replay: Do we really need to keep using 35mm as our baseline for focal lengths, or is there a much better way?

Read Story