18 Feb 2017

Should you think of crowdfunding to make your next film?

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Would this have been made without crowdfunding? Possibly not. And if anyone wants a fiver for a new series of Firefly... Would this have been made without crowdfunding? Possibly not. And if anyone wants a fiver for a new series of Firefly... ZOE


Over the past few years the idea of crowdfunding independent movies has gained a lot of traction amongst filmmakers. Rakesh Malik explores the history of the finance model and some of the options available.

2013’s ‘The Gamers: The Hands of Fate’ was, for a year, the largest crowdfunded film project ever, its makers Zombie Orpheus Entertainment raising $405,916 to fund it with a sixty day campaign, the longest allowed on Kickstarter. A year later, the 'Veronica Mars' Kickstarter project raised a larger amount, $500,000 in pledges, in just two hours; in the end reaching a total of around $5 million.

While a lot of people criticized the 'Veronica Mars' producers for raising funds when they could afford to make the film on their own, there's a lot more going on that that.

First of all, that campaign legitimized using crowd funding to finance film projects. Warner Brothers gave the producers an ultimatum: raise $2 million and we'll give you distribution.

The campaign was exceptionally well planned and executed; building on the fan base from the original Veronica Mars series, and assembling a media campaign coordinated with several media outlets who announced the campaign the day that it went live.

The campaign generated $2 million in pledges by the end of the first day after launch.

At the time, crowdfunding for large projects like feature films was rare. Ben Dobins, CEO of Zombie Orpheus Entertainment, felt that crowdfunding is an unsustainable model for a production studio. His concern was that ZOE's fans couldn't afford to support a major tentpole production every year, and that does in fact seem to be the case; while fans love being connected with the projects that they're funding, a large feature production is expensive, and unless your production company can draw on a fan base that's very large, it does put a significant burden on the fans.

Since then, crowdfunding films has become more common, especially for web series. The cost for online distribution is low, delivery is nearly instantaneous, and since the films are paid for by their fans up front, filmmakers using crowd sourcing often prefer to bypass traditional distribution and deliver directly to their fans. Since the fans are the ones paying for the films, this makes perfect sense.

That said, there are still feature films produced with crowdfunding support, which often end up making the rounds in film festivals and wind up hosted on sites like IndieFlix and Amazon Prime.

Crowdfunding platforms

The most well known crowdfunding platform out there is of course Kickstarter, largely due to it being one of the first. It's an all-or-northing model; you put up a project and a proposal, and if you don't make your funding target, then you get nothing. The platform is open; while Kickstarter has imposed requirements like products need to have at least prototypes before they qualify for crowdfunding, there isn't any restriction on the type of project that Kickstarter will host. Kickstarter funded projects include: The The Everyday Backpack, 'The Everyday Backpack', The Everyday Backpack.

IndieGoGo is another rather large crowdfunding platform, nearly as well known as Kickstarter. IndieGoGo has an all or nothing model as well, but in addition offers a model where campaigns receive pledges whether they succeed or not. Like Kickstarter, IndieGoGo supports a very wide variety of projects, such as: The Apertus AXIOM BetaMalevolentBlack Angel.

Seed and Spark sets itself apart from the others by being oriented entirely toward funding film projects. It offers an online class to help project creators be successful in their crowdfunding campaigns, and it also offers a distribution connections. By partnering with distribution venues like Amazon, Vudu, Netflix (see the site for the full list), Seed and Spark helps to connect finished films with their audiences. Seed and Spark also has a program dedicated to supporting VR.

Seed and Spark also offers a few perks that should get anyone looking into crowdfunding a film project to look into Seed and Spark. One of them is a gift box that campaign founders receive just for getting 500 followers -- even if they're not all funding the project. The gift box includes consultations, discounts for gear rentals, short term subscriptions to services like Frame.io, and a 1TB GDrive.

Being oriented entirely toward filmmaking, all of the successful projects there are film projects.

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Rakesh Malik

Rakesh’s exploration into photography began with a trip to the Grand Canyon. The grandeur of the place inspired him to capture and share his experiences. Such grand places required a grand vision, so Rakesh began working with large format film cameras, which he continues to favor for his fine art stills. His love of travel and adventure have lead Rakesh to visit exotic and varied places, from cities such as Kiev and Ronda to wild places like the Serengeti, the Alaskan tundra, the Pampas of Patagonia, and even to lofty heights such as the summits of Mounts Kilimanjaro and Rainier. Lately, in spite of continuing to make captivating still images with film and digital cameras, Rakesh has been applying his photographic skills to motion pictures. While still striving to convey a story with each individual frame, he longer has the limitation of being bound to a single form to tell the story.


Website: winterlight.studio/

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