Production

The new MkII version of Aputure’s excellent LS C300d packs on the features as the company’s Brandon Le explains.
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It’s all too easy to get caught up talking about cameras, especially when the company you’re featuring is ARRI. But its accessories business is huge and keeps innovating, as Product Manager, Philip Vischer, illustrates.
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Zeiss has released a telephoto addition to its Otus series of f/1.4 high-end lenses..
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Even though monitors can look pretty much the same (they’re mostly black or grey rectangles), there are huge differences between them. Some screens are specifically designed for video makers, which is great news for editors and colorists.
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Matthew Klapman, Global Director of G-Technology, guides us through the latest products released from the company on the NAB 2019 showfloor.
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Kandao's new software uses AI techniques to predict movement to create slow motion of up to 1200fps in post.
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Replay: Part One of our six-part series looking at the history of VFX  starts back with early pioneers such as Georges Melies developing the optical effects that Orson Welles would use to such dramatic effect nearly half a century later.
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30 years ago, director James Cameron released his fourth movie, The Abyss. Although one of his less-remembered films, dwarfed by his blockbuster hits like Titanic, Aliens and the first two Terminator films, The Abyss’s place in history is assured by its groundbreaking CGI. But that was just one of the many achievements of this underrated underwater thriller.
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Another post NAB mergers and acquisitions story where the clues were already there on the showfloor.
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The best way to save the planet is to persuade governments to act responsibly. But we can all do our bit. And our choice of technology can play an important part in the future.
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Busy times at FiLMiC Inc which has a new audio recording app for iOS, FiLMiC Audio, due to be released later this year, as well as a new integration with the Movi Cinema Robot.
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