Production

We're giving away a 32GB 9.7" iPad to one lucky reader who completes our survey on wireless video technology!
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After fourteen nominations, Roger Deakins has finally won a Best Cinematography Oscar. Revered by DoPs at all levels of the industry, he has worked hard for almost 50 years to earn that golden statuette.
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With International Women's Day upon us this week, we decided to celebrate by highlighting nine female DPs who are working at the top of their field in this new two part series.
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HDR need not be complicated thanks to these end-to-end HDR workflows from Panasonic.
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Once the sole preserve of film cameras, slow motion was once inaccessible to all but the best budgeted productions. Now it is available to all. We chart its rise through the world of video cameras.
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Replay - To celebrate the recent Oscar win for both Best Cinemtography and Best Visual Effects for Blade Runner 2049, we thought we'd give you another chance to read this highly popular article by Neil Oseman. Neil takes a look at the photographic style Roger Deakins employed for the sci-fi sequel and how it plays into the movie’s themes.
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Preserving our footage and data in the long term is a big concern. But is it a genuine concern, or is data preservation actually becoming easier? 
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For many camera ops the idea of owning an Alexa is simply an unrealistic dream. But is it? Phil Rhodes shows how mere mortals could in fact own one of these legendary cameras, and what the benefits and disadvantages of doing so would bring.
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In this concluding part of his Sony PXW-Z90 review, Simon Wyndham finds that it redefines what his expectations should be from such a camera.
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Dialogue scenes might not seem to offer many creative opportunities. But nothing could be further from the truth. Read on for some top tips on how to spruce up your dialogue scenes.
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8K viewing in the home is now a thing. DP and 8K aficionado Phil Holland says you really can see the difference.
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