Production

The brand new range of cinematography lenses from ZEISS are the most emotionally intelligent lenses from the German precision optics company. And that means images that filmmakers and audiences will love. 
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It's something that Nikon users have been awaiting for a long time. Nikon is seemingly about to unleash a full-frame mirrorless camera into the world.
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We all want the perfect camera, but is it even a remotely realistic expectation?
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Sony’s Virtual Production system, announced today, brings the ability to control a multi-camera live stream with nothing more than a web browser (plus, of course, cameras). There’s no physical switcher. This an important moment in the history of live productions, because some day all TV shows will be made like this
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Cinemartin's 8K Fran camera can now be confirmed as a very real thing. No longer vapourware, the company has released new images of the camera along with some sample video.
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Here's our tribute to the rather heavyweight, yet incredibly adaptable workhorse, the Fisher 10 Dolly. One of the unsung heroes of film and video.
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*We're just kidding! But here's more eye popping aerial goodness from Phil Holland as he takes us on a flight from the sea to NYC.
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Shooting 4:3 in 2018? Have we entered a parallel universe? Apparently not. 4:3 would appear to be a good creative decision in the right circumstances. Neil Oseman shares his experiences as a DP going back to square vision.
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Follow YouTube filmmaker Stéphane Couchoud on a shoot as he takes us through the most compelling features of the Sony FS5.
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AJA and Epic Games move games engines into mainstream production by incorporating support for Unreal Engine 4 directly into the Kona 4
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Feature films of days gone past were really quite grainy compared to the pictures produced by a modern digital camera. We didn't complain too much then and just accepted it as part of the look. Should we be placing less emphasis on noise if it means a more emotionally resonant picture is produced?
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