Production

The quality of the light that you utlise for shooting is important. But even the best lights cannot overcome the limitations of your own ability to judge colour. Phil Rhodes looks at situations where accurate colour reproduction could be problematic, and why full spectrum light is so essential.
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Neil Oseman completes his two part series with more invaluable tips to help ensure success in the world of cinematography.
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The Rylo 360 aims to focus in on an alternative, more practical use for VR video.
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Keeping the power going for a location shoot can be trying even when you have ready access to chargers. But what do you do when you are thousands of feet up in the Himalayan mountain ranges and need to power everything from RED cameras to drones? Here's how Rakesh Malik took on the challenge.
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Jody Eldred deploys the new Litepanels Gemini LED light, and he likes what he see's. A lot.
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Sony is leading the way in 4K live broadcasting. The new HDC-4800 cements this reputation further by bringing 4K ultra high frame rate capabilities to live broadcasts.
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Shooting in log gamma modes is often par for the course in todays shooting environments. But should it always be the 'go to' mode that we choose, or are there sometimes better options?
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 Motion capture has been one of the prime enablers of modern CGI sequences within both film and video games. If you've ever wondered about the complexities of the process, Phil Rhodes reports back from a session he observed at Shepperton Studios.
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It would be all too easy to declare HD done and dusted when it comes to new gear, but Sony has other ideas with the HXC-FB80 broadcast camera system.
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The latest screen from BenQ looks like it could provide a wide range of users with highly colour accurate monitoring for just a smidgen above $1000.
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The Beyond is the first feature film written, directed, produced and edited by long-standing RedShark contributor HaZ Dulull. Here he explains why he chose to complete the whole project, editing and all, in DaVinci Resolve 14.
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