Production

A studio camera and field production camera in one package? That's exactly what Blackmagic has come up with with the URSA Broadcast. Adrian Pennington reveals all.
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RedShark loves a good present, so why not take a look at our grand unboxing of a rather lovely Panasonic AU-EVA1 in this video.
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01 Feb 2018

VR180: is it true VR?

by Published in Production
CES 2018 saw a number of big announcements for Google’s new VR180 video format. But is VR180 a step in the right direction or is it a step back, or is it both?
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Stuck for power in a remote location? Craig Marshall outlines a potential solution that can power any pro camera with a 4-pin DC XLR socket.
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Review: Erik Vlietinck takes a look at the Rotolight NEO 2, a dual purpose flash and continuous LED video light with surprisingly accurate colour performance.
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This is simply one of the best presentations we've ever seen about video technology. If you have an hour to spare, do yourself a favour and watch this in its entirity. It will change the way you think about high resolution video
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PTZ cameras can now be network cameras. And that changes almost everything.
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The convergence of stills with video and vice versa has been a topic of hot contention for some time now. But are there times when taking stills from a video shoot is actually a viable and useful way to obtain photographs? Former sceptic Simon Wyndham now thinks so. 
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Working more quickly could be the difference between having creative options or simply getting the basic job done. Jody Eldred looks at how speed can give you a creative edge.
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It is exciting as the original endeavour to broadcast the first television images. The race to show true 3D motion images floating in space is well under way. New start up Light Field Lab has raised a considerable investment sum for its own holographic display method. But it isn't alone in the race to produce the first viable product.
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In todays filmmaking practical lights can be one of the most useful tools you have in creating the look of your scene. Neil Oseman gives us his 'practical' tips on how to get the very best from such light sources.
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