Production

More hyper-realistic CGI, with innovative motion capture techniques
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There's a lot of information to take in here with these new Sony cameras and all the stuff that goes with them. We've just been to the European launch and things are a little clearer.
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After two weeks of teasing, the NewF is here. And the big surprise is that the NewF is not just a camera but rather an entire ecosystem. Ned Soltz, our NY reporter, brings us the details.
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Tomorrow morning, at 8:00am in London, 4:00 in New York, 1:00 AM in Los Angeles, we'll bring you the news of Sony's new product or products. 
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28 Oct 2012

Living with Red

by Published in Production
David Read gives us his heartfelt opinion after two years experience with a Red One camera
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Over the past week Sony’s CineAlta Twitter Feed (@CineAltaNews) has been buzzing hints of an upcoming product announcement on October 30. Ned Soltz, RedShark's reporter in New York, sums up the speculation
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This has been a long time coming, and we never actually thought we'd see it: a clean HDMI output from the Canon EOS 5D Mark III. What does this mean and why is it important?
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As a writer, it's not often that I'm lost for words. But that's what happens when I try to describe Alex Roman's CGI film, The Third & the Seventh.
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Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.
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Phil Rhodes looks at the Atomos Ninja 2 Field Recorder in this second part of his Nikon D800 + Ninja 2 review.
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DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder
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