Production

The battle between action camcorders is heating up as GoPro adds 35Mb/s recording mode to its flagship Hero 2 camera
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The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.
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Photographic Artist Erik Johansson achieves photorealism in surreal, mind-bending compositions that would make M.C. Escher, Salvador Dali and Rene Magritte beam with pride. And he uses a video-type workflow.
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We've already reviewed the FS700's slow motion capability and now (thanks to @sonyproeurope for bringing this to our attention) it's been used together with an FS100 to capture the colour and spectacle that is a Coldplay stadium gig.
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In recent memory, it seems there has been one name in the inexpensive sport camcorder market: GoPro. Its HD Hero camera set the bar for quality and versatility at a consumer-friendly price-point.
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Slow motion's a simple idea, but the concepts behind it aren't always as simple as they seem. Phil Rhodes takes a quick look at the science of slowing things down.
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Why would someone specify a camera before they chose the cinematographer? David Read despairs...
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I'm the first to admit that we're a little bit addicted to Tilt-Shift - and looks like RedShark readers are too: Keith Loutit's Singapore film that we featured a couple of days ago is the most popular piece we've published.
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We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.
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Tilt-Shift, Time-Lapse and wacky-looking architecture are the unusual mix of ingredients that make this short film by Keith Loutit question your cognitive apparatus.
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01 Oct 2012

How to Light

by Published in Production
Experienced Director of Photography David Read sheds some illumination on the most basic - but most essential - terms in the art of lighting.  
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