Production

If you're in or near NYC on 18th October, head up to Brooklyn to our latest RedShark Connect Event. If you're interested in 8K and/or Full Frame cinematography, this is the event for you. And even if you're not ready for either yet, come and see where the future starts. You can register below. 
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RedShark Live is back once again, and we've got our hands on one of the first Blackmagic Pocket Cinema Camera 4K cameras. This was one not to miss. Watch the recording here!
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If you've watched an episode of The Grand Tour and noticed the car LED headlights flickering during the slow motion shots, you've just witnessed an ever increasing problem with modern lights. Flicker. And it's not an issue that's solvable by traditional methods.
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As Frame.IO’s Emery Wells says, over the past few months the company has been focusing on two things: security and performance.
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Director and DOP Bas Goossens interviews Zeiss’ Luke Tait all about the new range of Supreme Primes from the company.
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Review: If you want to film inside confined spaces such as a car, even television shows often resort to GoPro cameras. But what if you want something rather higher in quality? What are your options then? If this is your dilemna the IO Industries Victorem 4KSDI-Mini could be just what you are looking for.
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Zeiss returns to making cameras and it's clear that the household-name lens company isn't interested just doing the same as everyone else. You could say that its ZX1 full frame camera is pretty radical in some ways
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While it's not exactly an impulse purchase, if you need the best possible picture quality in monochrome, right now the RED MONSTRO MONOCHROME is probably your ideal camera.
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It feels like a long wait, but we finally have our hands on one of the first production Blackmagic Design Pocket Cinema Camera 4K's into the UK.
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Filmmaker Ryan Freeman has asked the unaskable: can you compare a $30,000 Cooke anamorphic lens with a $1,000 Zeiss spherical lens? 
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Industry alliances are often fairly dull affairs, but this one is a bit more than that, Panasonic, Leica & Sigma stating that they will use the same L-Mount lens mount format for all their full-frame and APS-C cameras.
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