Production

360 video? Isn't it a fad just like 3D? Apparently not, and it could change the way you capture video, even if you aren't publishing it in 360 form.
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One of the best visual treats at this year’s NAB was the aerial footage of downtown Los Angeles shown by Sony at its press event. This is how it was shot.
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The new Sony PXW-FS5M2 has had a lot of hype recently for its Venice-stye colour science. What's it like in the real world, and is it worth the upgrade? Read on to find out.
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In his continuing series on different types of lighting, Neil Oseman looks at the history, characteristics, and uses of flourescent lighting.
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The RED Hydrogen continues to intrigue tech fans and journalists alike. We still don't know what the final device will be like, but it signals a development that could eventually affect every phone we come to use.
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The brand new range of cinematography lenses from ZEISS are the most emotionally intelligent lenses from the German precision optics company. And that means images that filmmakers and audiences will love. 
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It's something that Nikon users have been awaiting for a long time. Nikon is seemingly about to unleash a full-frame mirrorless camera into the world.
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We all want the perfect camera, but is it even a remotely realistic expectation?
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Sony’s Virtual Production system, announced today, brings the ability to control a multi-camera live stream with nothing more than a web browser (plus, of course, cameras). There’s no physical switcher. This an important moment in the history of live productions, because some day all TV shows will be made like this
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Cinemartin's 8K Fran camera can now be confirmed as a very real thing. No longer vapourware, the company has released new images of the camera along with some sample video.
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Here's our tribute to the rather heavyweight, yet incredibly adaptable workhorse, the Fisher 10 Dolly. One of the unsung heroes of film and video.
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