Production

With more and more projects demanding some form of interactive component nowadays, anybody working with moving images ignores the subject at their peril. Andy Stout talks to Michael Salmond, one of the authors of a new book 'The Fundamentals of Interactive Design' about what you need to know
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Not quite ready to put NAB 2013 in the books? Then here's a treat, courtesy of Zeiss: the company's NAB 2013 highlight reel, showcasing new compact zoom and anamorphic lenses!
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There's no doubt that Sony's pretty pleased about the results of their F65's role in Oblivion. And well they might be: the internet is bursting with plaudits for the look and style of the film
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In a sea of 4K announcements, and sailing serenely against the tide of opinion that the days of sub-4K cinema cameras are gone, ARRI has produced glorious-looking showreel for its Alexa camera; a taster for the plethora of projects it's been chosen for
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The new cinema cameras from Blackmagic Design stole the show at NAB. Here's the first footage we've seen so far from the Pocket Cinema camera, posted by John Brawley on his site
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This new European commercial from Lurpak is so beautifully shot and edited I had to share it. I warn you you'll be feeling hungry by the end 
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I wrote before about the FS700 and how it was possibly the cheapest route to get to 4K at the time. You can read that article [here]. I was thinking of course about the Sony HXR-IFR5 interface unit and AXS-R5 Recorder combo but now another intriguing and unexpected option has surfaced, the Convergent Designs Odyssey 7Q
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You wouldn't expect any film with Tom Cruise in it to be short on production values and Oblivion proves the point. Shot in shimmering 4K with Sony's F65, it relies less overtly on computer-generated special effects than other sci-fi blockbusters
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Sony and FIFA recently announced they are partnering to trial live 4K production workflow at the FIFA Confederations Cup in Brazil this summer, extending the collaboration that saw Sony capture 25 matches from the 2010 soccer World Cup in 3D and, more importantly, pointing the way to Rio 2014 being produced in 4K.
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Atomos has announced the next generation of Samurai field recorder with new features added largely as a result of user feedback
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Within hours of my article on the FT-One  going live,  Vision research have announced  the Phantom Flex4k. Mere hours ago the FT-One was something of a groundbreaking camera giving really high speeds in the 4k space, which gives you some idea of what this years NAB is like. Now, there's much bigger news. Redshark contributor Freya Reports
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