Production

What you can do with the camera in your pocket today is just the tip of the iceberg of what it will do tomorrow.
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  IBC this year was chock full of big announcements, but one camera upgrade that flew under the radar was the forthcoming new firmware for the Pocket Cinema Camera 4K.
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The Canon DP-V2420 is a highly featured HDR production monitor at a price that makes it very attractive to broadcasters that might, literally, need them by the truck load.
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Performance capture is one of the fastest growing areas of film production, and is increasingly blurring the boundaries between what has traditionally been called CGI or SFX and real world, nuanced acting. We exclusively interviewed actor, director and producer Andy Serkis at IBC to gain his insights into this most fascinating area of film production and to find out where…
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Sony has been using the phrase “beyond definition” in promotional literature for a while, and it’s a very apposite slogan. We hardly need to say that more pixels aren’t really a priority anymore, at least for conventional film and TV (VR differs.) But the adoption rate for UHD makes for interesting reading.
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David Shapton and Bas Goossens look back on Day Three at IBC2019 and discuss our interview with actor Andy Serkis (coming up soon), Adobe Sensei, the Panasonic S1H and the importance of integrating IT in your video workflow.
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ARRI’s new Orbiter is an ultra-bright, tunable, directional LED picture that the company says could change the way the industry looks at digital lighting. It could well have a point.
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A typically busy IBC at the Atomos stand, with a stunningly bright firmware upgrade for the Shogun 7 as well as all manner of new capabilities for the Panasonic Lumix S1H, Sony FX9, and Nikon Z 7 and Z 6 cameras.
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David Shapton and Bas Goossens look back on Day Two at IBC2019 and discuss meta trends, trends in individual areas like lighting, and talk RED Komodo.
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Some major news is coming out of Amsterdam this evening in that Adobe is indicating that ProRes RAW will be supported natively inside Premiere Pro.
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David Shapton and Bas Goossens look back on Day One of what has already been a busy IBC21019 and discuss - well, what else? - cameras.
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