Production

Bas Goossens says he’s pretty excited about Blackmagic Design’s new ATEM Mini live production switcher, and he’s got every reason to be.
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Ever larger sensors now mean that we might need to redefine what is expected of video zoom lens design, and it's all down to those pesky laws of physics.
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In a recent piece for RedShark, Simon Wyndham asked What's wrong with stills style cameras for video? Here's Roland Denning's counter article.
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Sony has just announced the long-rumored and anticipated next generation A9 series mirrorless camera, the Alpha A9 II.
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NDI 4 was released at IBC2019 and very much takes the protocol up to the next level. Bas Goossens investigates.
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The Panasonic S1 isn't advertised as having dual base ISO like its more cinema focussed sibling, the S1H. But then a video appeared puporting to show just such a capability. Is what we think is going on... going on?
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Review: We take a look at Nikon's all-in-one Filmmaker's Kit, a package designed to get you production ready from the off with the company's Z 6 mirrorless camera.
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Some of Kino-Flo’s lights have, for a while, allowed the user to select the camera in use. As far as we know, Kino is the only company to offer this. Why is it important and is it something other manufacturers need to do?
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GoPro's Hero 8 is now here, along with a new 360 camera called the Max. What do the new cameras have to offer?
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Every year at IBC we make awards to those companies who we think have made significant advances, or that have introduced groundbreaking new technology into the industry. Sometimes the advancements seem subtle, but what they offer is something much more than the sum of their parts. This is our roundup of this years winners of the IBC 2019 RedShark Awards.
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He was the first production sound recordist, and he was the first ever production sound mixer. Without his work, movie sound techniques as we know them might not have existed. This is a look back on one of the most important people in film sound, George Robert Groves.
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