Production

When is the bitrate not the bitrate? Codecs are a compromise between quality and storage space used. Phil Rhodes explains why the bitrate on the spec sheet is not always what you'll get when you record for real.
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The cost of making a live action film is rarely anything to do with camera equipment, but instead the logistics and costs of locations and sets. Is CGI animation the solution for the cash strapped indie filmmaker?
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CoreMelt's new PaintX plugin promises to be a great tool for editors looking to make quick footage fixes.
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It is very hotly awaited, but we finally got to have a good play with a near final version of the BMPCC4K.
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Fujifilm’s new 26.3 megapixel takes 2016’s XT-2 and adds some significant upgrades, including what the company claims is a world’s first of 4K/60fps 10-bit 4K onboard recording.
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Read our essential guide to the hottest things to see and do at this year's IBC show!
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Steve Simon is an award-winning documentary photographer and author of five critically acclaimed photography books, including The Passionate Photographer, which was chosen as one of Amazon’s "Top Ten Art and Photography Books."
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While its full frame mirrorless capabilities have stolen the headlines, don’t forget that the new Canon EOS R is the company’s first model to offer 4k 10-bit 4:2:2 external recording via HDMI.
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This is Canon's most important camera for ten years and the start of a system that's intended to be fit for the next thirty years
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Breaking news that Canon has announced its new R series mirrorless camera, the "EOS R"
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Frame.io is now one of the most popular video collaboration and review sites. With its stylish new Masters short film series, the company is highlighting some of the immense talent who use its services, giving advice to users and would-be filmmakers along the way.
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