Production

As if we need more proof that the camera you have access to isn't one of the main stumbling blocks to making a cinema worthy film any more, we take a look back at one of the best action movies of the last decade. And it was shot using a camera that pretty much anyone could buy. We are of…
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Filmmaker IQ has released a new video which drills deep into the science and practicalities of dynamic range. For several years now, dynamic range has been a major specification by which all new cameras are judged, but there is still plenty of confusion out there about what exactly it is and how to make the best use of it. This…
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The Rory Peck Awards celebrates the work of filmmakers working in the most extreme circumstances. Roland Denning covered the event, and found that the art of making films that matter is still well and truly alive.
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There are now a few options on the market for a Blackmagic Design P4K cage, but this one from Tilta could well be the most impressive we've seen for any camera!
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What is it about subscriptions that makes people hate them so much? Full disclaimer: I think they're a really good idea.
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A perfect Halloween story: The BBC’s Inside No. 9 took mixed media storytelling to a new level with a ‘haunted’ live show, ‘Dead Line’, that included social media and even national newspapers in its set up.
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Bohemian Rhapsody hit cinemas across the UK recently. Directed by Bryan Singer of X-Men and The Usual Suspects fame, the film charts the story of Queen from their formation in 1970 to their triumphant Live Aid set in 1985, with plenty of their classic rock hits along the way. An Oscar-baiting Rami Malek (from Amazon’s Mr Robot) stars as larger-than-life…
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When the first 4K camera became available for under four thousand units of currency, the aphorism “4K for 4K” was coined. Is Cinemartin's Fran camera the first 8K camera for under 8000 euros?
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If even there was a perfect story for RedShark, it is probably this: a RED Helium 8K camera has been in use up on the International Space Station and now, for the very first time, you can watch 8K video shot in orbit.
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3-axis gimbals revolutionised the idea of getting stable shots without any lengthy Steadicam training, but there's a couple of rather sizable elephants in the room, the need for five axes and full, easy motion control. And there aren't any big leaps being made to solve them.
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Despite all the advancements in digital technology some of us still do have an inner desire to shoot film. It's almost like a right of passage for someone who deals with moving images. Super 8 is often the go-to format for people on a budget, but Phil Rhodes disagrees and thinks that you should jump right into 16mm. Here's why.
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