Production

Replay: One of our most popular articles, published during last years World Cup Football event. We don't usually think about the skill of the camera operator while kicking back with a beer while watching the football. But what we forget is that being a sports camerman isn't just highly skilled, its probably the most highly skilled niche in camera work!…
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"Stand!" is a major feature film musical due for release this year, and it was shot on Blackmagic Design cameras. This is an insight into the production and DP Roy Wagner ASC's experience using the Ursa Mini Pro on such a project. By Lieve Claessens
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Edelkrone consistently impresses with its ingenuity. Chris Foreman takes a look the company's new HeadOne motion control system.
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Be prepared to be mesmerised by this extremely impressive, but very trippy kaleidoscopic timelapse by Michael Shainblum
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We have all got used to massive changes in technology over the last few decades. What seems like science fiction one year becomes commonplace the next. But in film and video, what are the things that have stayed the same?
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There's a common line of thought that says 8K is difficult because a lot of current lenses cant resolve that sort of resolution. Phil Rhodes digs down for the truth of the matter.
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RED's new 7" Ultra-Brite could be just what RED users need for viewing footage in a huge variety of environments.
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Panasonic's surprise new all-in-one 4K camcorder is packed with an impressive array of features, including 10-bit recording at all resolutions and framerates. Read on for the full details!
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Review: Edelkrone are well known for its innovative take on camera movement devices. Chris Foreman takes a look at the latest iteration of its SliderONE, the SliderONE v2.
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Think about this for a moment, when is the last time you saw a film on a screen that was wider than 16:9?
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BBC television dramas have recently come under criticism for dark cinematography and unintelligable dialogue.
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