Production

ProRes RAW is a hot topic right now. When we caught up with the guys from Atomos at Cinegear 2018 they spelled out the advantages for us.
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Review: LumaFusion from Luma Touch is positioning itself as the most powerful editing system for mobile devices yet seen. We take a look and tap into its potential.
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The Production Show in London is one of the major events on the UK calendar. Phil Rhodes went walkabout there and here's what he found.
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Kinefinity is a company that is slowly, but surely making a name for itself in the world of indie filmmaking. From an unknown Chinese startup, the company is now producing some very well regarded products. The latest of these is the MAVO Cine Camera.
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Sony's DCR-VX1000 was truly revolutionary for its time. We look back on the original DV camera and its effect on broadcasters, particularly at the BBC.
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Everything from commercials to films are on show in this weeks Social Media Follower of the Week. This time featuring US Director of Photography Alexander Chinnici.
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Cinegear 2018: Keep them wagons rolling! Inovativ gives us the lowdown on its new range of extremely strong production carts. A product that is important for good on set efficiency.
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Cinegear 2018: We continue our Cinegear video series with an interview with Lite Gear about their impressive LiteMat Spectrum LED light. A light that could end up being a reference standard for modern lighting.
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Arri has announced that its proprietary ARRIRAW recording format is now available on its Amira camera.
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Can a smart phone light meter really be every bit as good as a dedicated professional device? Erik Vlietink takes a good look at the Illuminati from Illuminati Instruments.
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Cinegear 2018: Creative Solutions show off the new Teradek integrated video transmitted for Sony's Venice
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