Post & VFX

Codex won an Engineering Emmy recently and was at IBC demonstrating the power of its ColorSynth grading toolset for NLEs.
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Red Giant has just announced a major update to its popular Trapcode suite, including a new Dynamic Fluids engine, and the ability to directly import 3D objects into After Effects.
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If you look closely, you can see the wires: Behind the scenes with the VFX team putting Ryan Gosling’s Neil Armstrong on the Moon in the movie ‘First Man’.
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Want to make a marketing video? You could do worse than follow the example of this one. We think it's genius
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With headline tweaks including improved framerate and format support, the latest point release of Lightworks adds a lot to Editshare’s well-regarded NLE.
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After months of previews of Adobe’s device independent and cloud based acquisition/production platform codenamed Project Rush, Adobe has finally announced the product at the beginning of the Adobe Max conference.
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A feature documentary dedicated to an editing programme is about as niche as you can get. And this is not a training programme or (ostensibly) a promotional film, but a serious, well-made documentary which treats its subject as dramatically as if it were a major political revolution… just what’s going on here?
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Amidst all of the product introductions and technology previews at IBC 2018, don’t overlook the 2019 roadmap revealed by BorisFX. And, like the 2019 model year automobiles, the new releases will be available in the fall of 2018.
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NLEs are getting cumbersome. Not, perhaps for full-time editors, but for anyone else, they’re a daunting, monolithic piece of software with an almost vertical learning curve
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Replay: Phil Rhodes provides everything you always wanted to know about LUTs...
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Blackmagic Design's DaVinci Resolve software is going from strength to strength. Is it now the ultimate way to produce a project from start to finish without any need for round tripping?
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