Post & VFX

The slightest mention of Lightworks for Linux sparks a frenzy of interest across the web. Now that Alpha testing is underway, some reviews have started to appear.
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If you’re a sports cinematographer and don’t have access to a high frame rate film or video camera, you’ve probably experimented with motion interpolation to create slow motion from video captured at a normal speed. Gary Hango looks at some new uses.
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29 Oct 2012

Apple Releases FCP X 10.0.6

by Published in Post & VFX
Apple has released FCP X 10.0.6, perhaps the most far reaching of all updates since the released of FCP X in June, 2011.
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The 10th December 2007 Led Zeppelin concert at the O2 Arena was the most ambitious live screen performance of its time. Henry Stein describes how he edited the footage from this spectacular concert
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EditShare talked to long-time Lightworks user and music video editing legend Henry Stein, to coincide with the launch of Led Zeppelin’s Lightworks-edited concert film, Celebration Day.
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This Month there has been a lot of chatter on the Visual effects social media channels about the new iPad app, Setellite, that was released a few weeks ago. HaZ, our VFX correspondent talked to the developers in Amsterdam
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Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.
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Tim Burton’s stop-motion Frankenweenie calls for black and white grading
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It doesn't matter which direction you look - Technology is changing the way we have to think about our work. Oliver Peters explains
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12 Oct 2012

VFX news from Europe's IBC

by Published in Post & VFX
Red-shark's VFX columnist, HaZ, reports on Visual Effects developments at Amsteram's IBC this year.
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09 Oct 2012

VFX goes international

by Published in Post & VFX
HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?
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