Post & VFX

Colorfront’s popular tool for DCP and IMF mastering gets a Mac Pro-oriented release, while the PC version adds 8K power and lots of new functionality.
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RedShark Replay: This article is nearly two years old now and, as we all know, the industry moves a bit faster than that. But, for anyone that's watched our new Resolve tutorials, this story about one man's quest to put together a smooth, responsive system to run it on a budget will still have resonance.
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Adobe today has released its anticipated update of Creative Cloud video applications coinciding with the opening day of the annual Adobe Max conference.
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Opinion: Final Cut Pro 10.3 requires Apple’s El Capitan 10.11.4 or greater which, for some users, means having to make some harsh choices. Ned Soltz is unimpressed.
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Red Giant has released Magic Bullet Suite 13, a major update to its powerful set of colour correction, film look and finishing applications.
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RedShark Review: For nearly fifteen years now, Danish-based Logickeyboard has been busy producing custom colour keyboards that interface industry standard video, audio and graphic packages, and the new Astra LED backlit series continues in that fine tradition. By Iain Churchill-Coleman.
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We revisit the solid state drive (SSD) market and investigate why some of our more optimistic predictions have yet to pan out.
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Make a spooky 'Halloween'-inspired video and you could win an Oculus Rift! [sponsored]
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A well-crafted animation short reminds us that the medium can produce much more than kiddie fare.
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We’re all living inside a giant media asset management system. It’s called the universe, and some remote parts of it run intelligent software called “Humans”. We somehow manage to keep track of a seemingly infinite mountain of assets.
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RedShark Review: Ned Soltz takes Denver Riddle’s ACES-compatible $149 Color Finale Pro for a spin and is impressed with what he finds.
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