Post & VFX

The new JMR “Lightning” LTNG-XQ Tower series is the ideal choice for Apple Mac Pro users having only Thunderbolt expansion available, but who want to connect to PCIe peripherals widely used in the digital video, digital cinema, corporate video and production/post production industries.
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Replay: Phil Rhodes provides everything you always wanted to know about LUTs...
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Pond5, an up-and-coming media asset community and marketplace, employs proprietary algorithms to analyze images and footage for better tagging and search results.
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Software for generating realtime content looks set to be a bit of a theme this year, and The Foundry’s MODO 10 Series plans to deliver new featuresets in a series of three instalments for a single price. RedShark's Steve Stoltz reports.
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Pioneering bullet time company Timeslice introduces ‘4D’ 360 degree video scanning, with a little help from 53 GoPro cameras.
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So the 88th Academy Awards Ceremony has come and gone with a few surprises and non-surprises, but the kudos heaped upon Mad Max: Fury Road for its in-camera vfx is reminiscent of that bestowed on the winner of the first ever Best Picture, 1927's WWI drama Wings. By Joe Foster.
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Following our link to the incredibly popular Editor's Lounge colour correction video last week, a video that touches on the topic of 'storytelling with colour', which you may know as colour grading.
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From locked off shots of sweating CEOs nervously babbling marketing woo woo, to slick presentations marrying CG with genuine filmmaking chops, the corporate video is changing if you have the budget for it.
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2D and 3D workflows have never managed to play nicely together, with all sorts of inelegant kludges developed to get them to talk. All of which makes Imagineer’s new plugin for Maxon C4D all the more elegant.
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RedShark Replay: Part three of our series on How to Edit gets to the heart of the matter and looks at how to approach the edit itself.
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An invaluable video that helps explain everything to do with colour correction for those just starting out.
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