Post & VFX

Blackmagic has announced that Fusion 8.2 has arrived for the Linux platform, following the same tiered pricing model as the company's other film creativity and productivity software.
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Filmconvert recently posted a camera profile for Blackmagic Design's Ursa Mini 4.6K camera for its grading and film look product.
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Using the Universe 2 plugin Holomatrix II, among other software, Red Giant's Seth Worley delivers a micro-short starring BB-8, the diminutive droid that debuted in Star Wars: The Force Awakens.
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Flanders Scientific has released a budget-friendly option for lighting your colour grading suite.
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RedShark review: Is the CalDigit T4 an appropriate fit for editors and video professionals?
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RedShark review: Automatic Duck's solution for making Motion a more useful tool in Final Cut Pro X workflows.
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There’s no better place to see and feel the exponential rate of progress in technology than a modern, state of the art VFX/CGI facility. London’s Soho is packed with them but only a select few can claim such prestigious and mind-bendingly complex projects as Cinesite. 
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RedShark Review: Telestream Switch 3 Pro offers a host of options to measure the quality of video.
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The Unity game engine has proved capable of some amazing visuals in the past, but nothing has quite prepared us for the realtime rendering it’s pulled off in the short film Adam, powered by nothing more than a GeForce GTX980 graphics card.
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Red Giant has updated its subscription suite of GPU-accelerated effects and transitions, with a particular emphasis on motion graphics.
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Autodesk plans to offer many of its more popular programs bundled in three different cost-saving collections, with each one aimed at a different industry — one will be for media and entertainment. By Keith Fraissinet
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