Post & VFX

How Atsuki Sato and his team used Adobe Premiere Pro CC to complete Hideaki Anno's monster film on time.
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RedShark Review: Kyno, a utility that may save valuable time when transferring and transcoding footage.
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London’s Soho Editors has just produced an event, FCPXWorld, looking into the deep mechanics of FCPX 10.30 and is restaging it in Berlin on Friday 18 November.
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Enough is enough. Simon Wyndham is a long-time Mac user, but, like more than a few others, in the wake of the new MacBook Pro announcement he is now considering changing computing and NLE platforms. 
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In this 'Project Story', we meet the folks at Nice Shoes Creative Studio and discover how mocha Pro has become an important tool in their workflow. [sponsored]
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Video collaboration specialist Frame.io looks to cap a successful year with the launch of its panel for Adobe After Effects.
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Colorfront’s popular tool for DCP and IMF mastering gets a Mac Pro-oriented release, while the PC version adds 8K power and lots of new functionality.
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RedShark Replay: This article is nearly two years old now and, as we all know, the industry moves a bit faster than that. But, for anyone that's watched our new Resolve tutorials, this story about one man's quest to put together a smooth, responsive system to run it on a budget will still have resonance.
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Adobe today has released its anticipated update of Creative Cloud video applications coinciding with the opening day of the annual Adobe Max conference.
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RedShark Replay: Guest Author Vladomir Boboshin details exactly what you can do when your role shifts from editor to emergency sound designer.
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Opinion: Final Cut Pro 10.3 requires Apple’s El Capitan 10.11.4 or greater which, for some users, means having to make some harsh choices. Ned Soltz is unimpressed.
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