Post & VFX

RedShark Review: Once Apple pulled the plug on QuickTime Player Pro 7, the industry started to look elsewhere for a media tool for the proper playback, inspection and encoding of media files. For many, that new multipurpose application has become Telestream’s Switch.
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The well-regarded Kyno media management system from Lesspain Software has just received a comprehensive update that adds the ability to put LUTs on the image and more.
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Consumer grade monitors are getting better all the time. Is 'good enough', well, good enough for all of us, or should we all take out second mortgages to get the best monitoring systems on the market?
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RedShark Replay: With interest in all things editing at a high on the RedShark site as we mover further into the New Year, here's another chance to read Peter Hass' excellent article on the art of editing. 
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FCP X 10.4 has arrived, and while we knew all about the new features on paper, Simon Wyndham dives in a bit more to find out what the changes mean in practice.
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31 Dec 2017

What is the "cinema feel"?

by Published in Post & VFX
RedShark Christmas Replay: There's a quality to the cinema experience that 'cinema feel' people discuss in relation to depth of field, grain, contrast and other image characteristics, all of which have changed significantly with digitalisation. But why? Guest Author John Clark delves into frame rates and the science of perception.
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AJA has added the Io 4K Plus a Thunderbolt 3 device to its capture and output range, while simultaneously updating the software for its family of KONA and Io products to v14.
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The first of the CES 2018 stories is upon us with the news that LG is upgrading its monitor line-up to include its new Nano IPS technology. The result is colour and lots of it.
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RedShark review: Can the new MacOS based Pixelmator Pro be a viable image editing alternative to the industry king? Read on to find out.
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Take the look of your work to a whole new level by incorporating Motion Graphics templates into your projects.
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Replay: How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client
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