Post & VFX

Now, *this* is how to create a TV ident. Radiodiffusion-Télévision Française's original Eurovision logo was mixed in live from a camera pointed at a cat's cradle of string. Phil Rhodes reckons the all-pervasiveness of CGI means we've lost something along the way.
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RedShark Replay: What is the single greatest technical dilemma facing today's DIY filmmaker? Which Camera? Which OS? Which NLE? Which Plug-in? Which Colour Grading Software package? According to Craig Marshall, it’s none of the above. Instead, it’s all about the monitor.
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Timeline-to-text technology is hardly new. But plug-in developer Digital Anarchy is bringing it to Adobe Premiere in an affordable package with tremendous potential for interviews, documentaries and just about any other area where a transcription tied to the timeline would be in order. 
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RedShark Review: Wacom tablets have been synonymous with graphic design for decades and with its new Intuous Pro setting a whole new benchmark, can you adapt it to become a (comparatively) cheap NLE control surface?
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Not all codecs are created equal...
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Here's how to get a classic film look with the minimum of effort
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Colourisation (Colorization) has varying results. This effort (video below) is nothing short of amazing!
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A question I am asked all the time because producers are often not quite sure, is: “How long will it take to grade this?”.  By Warren Eagles
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AWAKE is an impressive enough minute-long slice of dystopian sci-fi, made all the more jaw-dropping when you realise it was done by one man, Phil Grishayev, on no money. Here, he explains how he did it.
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Dave Shapton talked to Evan Groenke, Product Manager Desktop Discrete Graphics, on the NAB 2017 showfloor about just how powerful the company's new Radeon Pro Duo graphics card is.
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Margaret Craig, CEO of Signiant, talks Media Shuttle and more with RedShark Editor-in-Chief, Dave Shapton.
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