Post & VFX

With headline tweaks including improved framerate and format support, the latest point release of Lightworks adds a lot to Editshare’s well-regarded NLE.
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After months of previews of Adobe’s device independent and cloud based acquisition/production platform codenamed Project Rush, Adobe has finally announced the product at the beginning of the Adobe Max conference.
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A feature documentary dedicated to an editing programme is about as niche as you can get. And this is not a training programme or (ostensibly) a promotional film, but a serious, well-made documentary which treats its subject as dramatically as if it were a major political revolution… just what’s going on here?
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Amidst all of the product introductions and technology previews at IBC 2018, don’t overlook the 2019 roadmap revealed by BorisFX. And, like the 2019 model year automobiles, the new releases will be available in the fall of 2018.
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NLEs are getting cumbersome. Not, perhaps for full-time editors, but for anyone else, they’re a daunting, monolithic piece of software with an almost vertical learning curve
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Replay: Phil Rhodes provides everything you always wanted to know about LUTs...
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Blackmagic Design's DaVinci Resolve software is going from strength to strength. Is it now the ultimate way to produce a project from start to finish without any need for round tripping?
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CoreMelt's new PaintX plugin allows FCP X users to paint directly onto their videos and have the effects accurately tracked, making some incredibly impressive effects possible. Here's our review.
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Adobe never disappoints with announcements of Creative Cloud enhancements timed around major trade events. So, if IBC is about to begin, then it must be time to hear from Adobe. 
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Review: ColorSynth from Codex promises a fast new and intuitive way to grade within Premiere Pro and FCP X. We put it through its paces.
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This is a huge upgrade to Resolve. By any measure this is a powerful piece of software but the latest upgrade includes Fusion, and takes it into new territory.  
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