Post & VFX

Review: Telemetry data in cameras could be very useful indeed. Most cameras cannot record this data, but there's one that can, and this app allows you to access it all.
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The AI based video transcription software gets a series of practical new features to make your editing life much easier.
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Adobe’s annual Adobe MAX conference kicks off with the release of updates for the CC suite. These will be available immediately to Creative Cloud subscribers.
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Emmy Award Winning Editor Simon Smith discusses his workflow on Chernobyl and how it’s enabled working from home.
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Blackmagic Design doubled-down on advanced editing features in 2019 by introducing a new editing mode to DaVinci Resolve 16 called the cut page. They also added a dedicated editor's keyboard - something that warms the heart of any editor who started their career in a linear edit suite. After some post-NAB feedback and adjustment, the keyboard is finally ready for…
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Universe, Red Giant Software’s subscription-based plug-in for Adobe After Effects and seven other NLEs and compositing apps, has been updated to version 3.1 and incorporates some interesting new modules.
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Imagine a world where the camera is part of post-production. Where footage lands on an NLE as it's being shot. Where distance doesn't matter and where editors share the same virtual time and space as the director and the cinematographer
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Most of the press coverage of “deepfake” videos has focused on how disturbingly funny they are, the security implications of the videos and the threat they pose to democracy. But there's another elephant in the room.
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Review: We take a good look at the Codex Keys control surface, an essential accessory for colour grading.
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Early last year, Codex announced the introduction of a new, dedicated colour correction plug-in - ColorSynth. The platform was exclusive to Final Cut Pro X users and therefore Mac-only as well. Recently, Codex brought Color Synth to Premiere, After Effects, and the Windows platform as well. Arthur Ditner takes a close look.
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Canon’s new DP-V3120 is the latest in its line of professional reference displays and offers what an industry-leading 2000 cd/m² high luminance.
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