RedShark News Staff

RedShark News Staff

Written by RedShark's News Team

The 27th Feb - 1st March sees the Broadcast Video Expo make its yearly return to London. There's never been a better, or more convenient time to try out the latest production gear. You can pop by and chat with us too!

Mark McCarthy from Sparky Film reviews the Sony PL Prime CineAlta lenses.

Schneider Cinema Lenses - Review [video]

Published in Production

Phil Rhodes explains why filmmakers graduate towards "proper" cinema lenses in his review of the new Schneider Cinema Primes.

Bas Goossens gives us his impressions of the Panasonic AU-EVA1. We think he likes it.

The way we make video today makes even a decade ago look like some sort of dark age. The technology we have now makes it easier to make video, but demands tools that are up to date, and will grow with the increasing rate of change that we’re faced with. Capturing video is one thing: managing a production is quite another.

How to monetize your archive footage [sponsored]

Published in Production

Stock footage can be a great way to create a new income stream, and it needn’t require huge efforts. Your archive might already contain some gems ready to start earning for you.

Creative trends 2018 [sponsored]

Published in Post & VFX

2018’s biggest creative trends in filmmaking, photography, and music.

We asked: Why do people choose the FS7 II? [sponsored]

Published in Production

We surveyed 700 RedShark readers in conjunction with Sony MEA to ask them about themselves, what they are typically shooting, and to find out what's important to them when purchasing a camera.

IP Video comes to Panasonic's PTZ cameras [sponsored]

Published in Production

PTZ cameras can now be network cameras. And that changes almost everything.

In this weeks video Simon Chmiewliski from OnBrand Films reviews his experience when using the Syrp Genie and Genie Mini on a timelapse shoot.

How to turn your timelapse into a masterpiece

Published in Tutorials

In our latest mini tutorial video, Simon Chmiewliski from Onbrand Films shows us how to deal with RAW timelapse footage.

Shooting The Expanse on Cooke 5/i Primes

Published in Production

We don’t often feature manufacturer-supplied case studies on this site, but given the collision of two of our favourite subject matters — compelling small screen science-fiction and lenses — this one made the cut. Read on.

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