The new Supreme Prime Radiance lenses are all based on the high-speed Zeiss Supreme Prime lens family but with the addition of a new T*blue coating for a distinctive look and consistent flares.

One of our favourite moments from IBC2019 was probably when renowned colorist Blake Jones explained to us just how far grading has come.

Canon is picking up its reputation for excellent low light work and running with it with the new EOS Ra, a dedicated camera for astrophotography.

Leica’s latest iteration of its full-frame mirrorless camera adds plenty of upgrades over what was already a well regarded unit.

Alongside all the rest of the news pouring out of Adobe MAX, Dell has introduced the world’s first 27-in 4K monitor with built in colorimeter and Thunderbolt 3.

Not content with working with Timecode Systems on the upcoming AtomX Wireless Sync module, Atomos has just bought the company and is promising even tighter integrated multicamera workflows.

Pond5 has released a new video collection that it hopes no one will ever look at and think that it is stock footage.

Music licensing platform Music Vine has launched a subscription program that is priced to target a variety of different content creation niches.

A crawl through some of the code buried in the latest version of Xiaomi’s custom Android implementation hints at an 8K recording capability.

Bas Goossens says he’s pretty excited about Blackmagic Design’s new ATEM Mini live production switcher, and he’s got every reason to be.

NDI 4 was released at IBC2019 and very much takes the protocol up to the next level. Bas Goossens investigates.

ARRI’s new Orbiter is an ultra-bright, tunable, directional LED picture that the company says could change the way the industry looks at digital lighting. It could well have a point.