Phil Rhodes is a Cinematographer, Technologist, Writer and above all Communicator. Never afraid to speak his mind, and always worth listening to, he's a frequent contributor to RedShark.
RedShark Replay: It’s a great pity that in order to enjoy the benefits of digital imaging, we must use pixels that may only be one of a comparatively small selection of colours, as opposed to the effectively infinite subtlety of nature. Phil Rhodes spreads light and understanding about quantization and noise.
DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder
Phil Rhodes injects some reality into the current race for megapixels
It's been some time now since the digital stills fraternity stopped worrying about megapixels, at least to the extent that the Canon EOS 5D mark 3 was designed with only trivially greater resolution than its predecessor.
- Saturday 16 Jun 2018 - (54930) Understanding ISO: In digital cameras, it's not what you think it is
- Monday 18 Jun 2018 - (6729) Kinefinity MAVO: everything you need to know
- Wednesday 13 Jun 2018 - (5737) Here is a greatly simplified explanation of Raw and Log video
- Tuesday 19 Jun 2018 - (5704) You can now do full professional editing on an iPhone or iPad. Here's our review
- Friday 8 Jun 2018 - (5227) CGI face manipulation has reached a frightening level of realism
- Wednesday 20 Jun 2018 - (351) Working from home is a great idea. Until it isn't
- Wednesday 20 Jun 2018 - (668) Bright Tangerine makes a matte box so light weight that it fits on a drone
- Wednesday 20 Jun 2018 - (1153) You can now mount S35 lenses on a full-frame camera thanks to Fujifilm
- Tuesday 19 Jun 2018 - (1430) Adobe's dramatic new NLE strategy for the social media era
- Tuesday 19 Jun 2018 - (1231) Atomos makes the advantages of ProRes RAW clear