... is an award winning Brooklyn-based filmmaker and writer whose first celluloid love was “Godzilla.” Since age 9, he’s been chasing monsters and men, camera in hand. His chief inspirations are classic German Expressionist cinema, the free-wheeling creativity of Terry Gilliam, and the fog-shrouded forests of his New Hampshire birthplace. Through his films, Peter strives to unlock the experience of "ecstatic cinema" -- a viewing experience that challenges, delights, and sweeps up the audience in equal measures. His work has appeared in American Cinematographer, Red Shark News, various broadcast networks, and various festivals around the world.
The Sony PMW-PZ1 is an intriguing compact deck for the company's XAVC memory camcorder ecosystem. Correctly marketed as “4K playback for everyone,” the deck is a convenient and flexible alternative to an expensive high-powered laptop to review and backup your digital footage.
2015's Sight, Sound and Story conference at the Manhattan Edit Workshop provided some real nuggets of wisdom that can be applied to every edit room.
- Saturday 17 Jun 2017 - (11878) Working with resolutions above 4K: We interview renowned cinematographer Shane Hurlbut, ASC
- Saturday 10 Jun 2017 - (9641) White lens or black lens? There’s a reason
- Saturday 17 Jun 2017 - (8427) Just in case you doubted that 8K video is the new still photography...
- Friday 16 Jun 2017 - (7680) 5 Tips from top Colorist Warren Eagles
- Monday 12 Jun 2017 - (6720) HP’s Omen Accelerator will boost your laptop’s graphics
- Thursday 22 Jun 2017 - (327) Sound Forge Pro Mac 3: new plugins and fabulous support for filmmakers
- Thursday 22 Jun 2017 - (879) What is the best action camera to have in your kitbag?
- Thursday 22 Jun 2017 - (856) Adobe swoops for SkyBox to ramp up 360 toolset
- Wednesday 21 Jun 2017 - (2439) The home-brew return of anamorphic
- Wednesday 21 Jun 2017 - (1030) Netflix takes TV interactive