Audio

04 Mar 2016

Jean-Michel Jarre on sampling

by Published in Audio
Jean-Michelle Jarre takes us through a history lesson, covering the practice of sampling from its infancy to our modern heights.
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We've always wanted to try this, and now we don't have to, because here it is, in all its screeching glory
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We explore the practical differences between pro and HiFi domestic audio equipment (and why pros may need to use both).
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29 Feb 2016

Incredibly Useful Audio Gadgets

by Published in Audio
Roland Denning shares often overlooked accessories that are mainstays in his sound kit.
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27 Feb 2016

How to design a DAW

by Published in Audio
Some people take the view that a Digital Audio Workstation (DAW) is the software that you use to edit your audio tracks. Leo Waldock argues that a DAW is a combination of a suitable laptop or PC, the sound card/interface, your chosen software and the mouse or instrument you use to control the software. And here's how to put one together...
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What's vinyl's secret? Why do valve (tube) amps sound so good? We have a theory
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Google Cardboard is a remarkable and easily obtained VR viewer. We tried it out and wondered how much directional audio would improve the experience
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24 Feb 2016

The world's best new synth?

by Published in Audio
There are three reasons why the Yamaha Montage, released at NAMM last month, could be a genuine game-changer as far as synths go.
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What's not to like? Here's a new smartphone with a DAC module made by a top HiFi manufacturer
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22 Feb 2016

So, what exactly is good sound?

by Published in Audio
As industry professionals it’s a question we think we know the answer to, but do we really know what good sound is, or even how to achieve it? By Dan George.
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Everyone knows there's a vinyl resurgance in full progress. But that's not the only analogue format making a comback
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