Audio

RedShark at IBC 2017: Australian mic specialist RØDE’s latest release is the RØDELink Performer Kit, a mic which expands its wireless digital audio line-up to include the presentation market.
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RedShark Review: While collaborative workflows for video have received a lot of attention in recent years, musicians have not had the same attention paid to their needs. Until now.
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RedShark Replay: Roland Denning, a cameraman by trade, lists 11 things that those that live behind the lens should consider when it comes to getting the audio right.
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Audio is a vital part of any video production, but not everyone knows exactly how important it can be. Because the right Sound Effects (SFX) and the right music can actually make your project look better.
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Genelec's three-way coaxial 8351 studio monitor has been joined by the 8331 and 8341 to create a complete compact coaxial range. The company calls the series “The Ones”, with the two newly introduced monitors claimed to be the smallest available on today’s market.
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RedShark Review: They may look rather odd, but there is nothing odd at all about the sound quality the Eclipse TD510 MK II speakers deliver from their 4-inch cone. In fact, it is superb.
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RedShark Review: Phil Rhodes takes the opportunity of looking at DPA Microphones' new SCM0013-B lavalier clip to look at some radio mic gear and examine some of the choices that exist in the current market, especially at the high end.
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RedShark Review: Now being developed by the Magix Software team, Version 4 offers Pro Tools integration and concentrates on workflow improvements.
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Last month to comparatively little fanfare, the developer of the mp3 codec, Fraunhofer IIS, announced that it was pulling the plug on the format after two decades at the front of audio compression.
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Dave Shapton interviews Evan Allen from iZotope and finds that machine learning has been instrumental in developing several of the new modules in its latest RX 6 audio post software.
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RedShark Review: iZotope’s RX audio editor received an upgrade just in time for NAB. It repairs, restores and enhances audio and is frequently used to fix sub-par audio in post production.
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