Audio

iZotope never fails to amaze us with the capabilities of its software. NAB 2018 was no exception when we were shown just how versatile RX is!
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Roland Denning takes a good look at Zoom's matchbox sized Zoom F1-LP audio recorder, a recorder that can be used easily on small cameras, and as an alternative solution to traditional radio mics.
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Audio is 70% of what we see, apparently. In a VR experience audio theoretically should be even more important than in standard video or film. RØDE has caught onto this with the NT-SF1, an affordable mic for recording multi-directional sound.
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If you often end up with layer upon layer of audio, how do you make easy sense of it when it comes to mixing? Tim Dunphy takes us through the headache saving art of using VCA faders.
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RedShark Replay: Recently there's been a resurgence in sales of vinyl records. We don't really know why. And we think we can prove that vinyl isn't better than digital. Here's how.
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In this weeks video, how to shoot with wireless audio on location with the Zaxcom ZMT3 transmitter/recorder. Written by Bas Goossens
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Audio mixing without any unforseen colouration of the sound is one of the most difficult aspects of mixing room setups. Erik Vlietink takes a look at the IK Multimedia ARC 2.5 system, which could make such headaches a thing of the past.
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 Erik Vlietinck takes a look at Universal Audio's Arrow. The worlds first Thunderbolt 3 desktop recording interface for MacOS and Windows.
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Review: If you are after the highest quality audio playback you can possible muster, the latest version of Audirvana could be right up your street.
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RedShark Review: The already crowded audio interface market welcomes a new competitor with RØDE’s release of the AI-1, its first audio interface for home studio recording. 
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Erik Vlietinck shares his secrets to good post production audio using Izotope's remarkable RX 6 and Ozone 8 plugins. 
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