Audio

Review: Zoom's F8n audio recorder looks to be incredibly highly featured for its price and ideally suited to location work. Phil Rhodes takes one through its paces.
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If a stock music library doesn't suit your production, here's some helpful suggestions on licensing well known tracks and having a composition made from scratch.
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Sometimes you don’t just have to see something demonstrated, you have to hear it as well, as these three new features in iZotope’s powerful RX 7 audio repair package show.
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Review: We give highly featured audio pitch and retiming software Revoice Pro 4 from Synchro Arts a good run through. Should this be an essential part of your audio toolkit? Read on to find out.
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Replay: This is one of our older articles, so some info may be dated. However it offers a fascinating insight into the company. Craig Marshall visits RØDE's headquarters in Sydney for RedShark and finds out what it takes to make high quality microphones that sell worldwide
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When you think of audio fixing, you probably think of “iZotope RX Advanced”. It is the industry standard for audio post production regardless of the environment in which the audio is used, be it movies, music or even criminal forensics. iZotope has now released updates of RX 7, its metering app Insight and the full RX Post Production Suite.
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Looking to combine the ease of multiform audio with the audiophile appeal of vinyl? The Yamaha MusicCast Vinyl 500 turntable lets you have the best of both worlds.
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The announcement of Tascam's new cassette deck raised a few eyebrows. Is tape simply just another type of sound in a creative world?
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iZotope has always impressed us with its range of filters and effects. Erik Vlietinck takes a look at the potentially very powerful VocalSynth 2.
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An audio compressor is one of the most important parts of sound design and mixing, but it is also one of the most misunderstood and mis-used. Here Tim Dunphy unravels the mysteries surrounding the audio compressor filter.
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 When you are mixing audio it is easy to end up with a signal that is too hot. How do you keep a track of what is happening so that you can ensure consistency throughout your mix?
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