While it's tempting to think that with the Magic Lantern EOS raw hack out in the open that normal, compressed video will never be good enough again, that's taking far too strict a line on it. The fact is that the conventional video output from cameras like the EOS 5D MK III is very good indeed with the exception of certain well-known issues like moire and rolling shutter
With digital, file-based production, your experience on-set during productions is a potential minefield. Throw a complicated raw workflow into the equation, and you need help. That's the reasoning behind Magic Bullet's BulletProof
Most of us, if we're honest, struggle slightly when it comes to configuring even HD equipment and settings. There are enough combinations of frame rates, codecs and resolutions that just about everyone has to stop and think when they're setting up their gear
The Canon 1DC is a curious camera. Based on a top-end DSLR design, with essentially only some additional firmware it becomes a 4K camcorder as well. But where does it fit into the increasingly complex matrix of options around high res, high dynamic range (i.e. RAW) devices that are available today at approximately affordable prices?
Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs