RedShark News

Phil Rhodes

Phil Rhodes

Phil Rhodes is a Cinematographer, Technologist, Writer and above all Communicator. Never afraid to speak his mind, and always worth listening to, he's a frequent contributor to RedShark.

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Sony's FS7 is an important and innovative 4K camera. RedShark Technical Editor Phil Rhodes puts it through its paces.

Kicking off a new RedShark mini-series, Phil Rhodes considers the state of the art of the current viewfinder market and finds it lagging quite a way behind modern camera capabilities.

RedShark News Technical Editor Phil Rhodes reviews the Dell UP2414Q and determines its best uses for filmmakers.

Nvidia GeForce GTX 980 tested with Resolve

Published in Post & VFX

Red Shark Technical Editor, Phil Rhodes, puts Nvidia's latest and greatest GPU through its paces, giving them a strenous colour correcting workout with Resolve and hardly booting up Elite: Dangerous at all.

Our own Phil Rhodes sits down with William Goldenberg, renowned Hollywood editor, and discusses his latest project, The Imitation Game, and whether he prefers shooting blockbusters or indies.

RedShark News Technical Editor, Phil Rhodes, breaks out the Macbeth chart and shines a light (multiple lights, in fact) on the colorimetry of common light sources in use by low-budget productions.

Red Shark Review: Canon XF205

Published in Production

Phil Rhodes takes a detailed look at Canon’s much-heralded XF205 and finds much to like about the camcorder.

Panavision goes big with Primo 70 lenses

Published in Production

RedShark Technical Editor Phil Rhodes shares his thoughts on the new Panavision Primo 70 lenses, which cameras would benefit from the glass, and more importantly, what level of production.

Editing Fury

Published in Post & VFX

Phil Rhodes talks to noted film editor, Dody Dorn, about her latest work on David Ayer’s Fury and the complications of editing at four different sites.

Redshark News Technical Editor Phil Rhodes reveals how shingled recording has led to the production of bigger, faster hard drives.

RedShark Technical Editor Phil Rhodes delivers a dose of sobering news: some noise in imaging systems is impossible to eliminate. Blame physics.

The early quest for colour

Published in Post & VFX

The proto Bayer: Phil Rhodes looks at the work of Frenchman Louis Dufay, who invented a colour motion picture process dubbed Dufaycolor that might have rivalled Technicolor if war had not intervened.

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