We've just written about the paucity of 4K from Panasonic at NAB this year. Meanwhile, Sparky Media Productions has sent us another stunning set of shots taken in Hong Kong with their Panasonic GH3: a digital still camera that outperforms Panasonic's own AF100 (their large-sensor video camera)
The Blackmagic Pocket Camera finally ships in a few days. But there’s a new MFT camera on the horizon. It’s missing RAW recording, but has one killer, must-have feature.
Here's another take on the Panasonic AJ-PX270, a camera that Redshark News contributor Barry Braverman called "a broadcast camera in the palm of your hand." In this video review, Matthew Abourezk explores whether this camera could replace your DSLR for video.
Panasonic GH4's new firmware update unlocks anamorphic shooting on one of the hottest cameras of last year. RedShark News contributor Kevin Luiz pulled out some vintage glass to put the GH4 anamorphic through its paces.
How is it that Sony is now the leading innovator with still cameras that can be used for video?
Ahead of IBC and Photokina, Panasonic drops a prosumer ENG-style camera that shoots 4K 60p internally at a budget-friendly price.
For years Long GOP encoding has been dismissed by many as difficult to edit, all too ready to fall apart over multiple generations of processing and ill-suited to pictures with fast movement. Kieron Seth explains why Panasonic now embraces Long GOP with AVC Ultra.
The new Panasonic Lumix GH3 builds on its predecessor's video-friendly credentials, offering better compression and an all-round improved package. RedShark regular contributor Mark McCarthy of Sparky Media Productions bought one, and put it through its paces