Internet forums, YouTube and magazines are full of articles extolling the virtues of large sensor video cameras, whether it's the Red Epic or the Canon C300. But should we be obsessed with the Big Chips, or do they have a downside as well. Kieron Seth investigates.
Connected TV has replaced 3D as the biggest buzzphrase in the broadcast industry this year. Sales are increasing globally, but, as Andy Stout, reports, different regions are responding in different ways.
It's been rumoured for a long time, and we've covered its illustrious Micro Four Thirds format predecessor here. But now it's not a rumour any more.
The mighty Consumer Electronics Association has defined 4K as UltraHD. Kieron Seth reports
In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now
James Mathers, Cinematographer and President of the Digital Cinema Society, writes about the state of 3DTV in the Post London Olympic era
Nearly 10 years after shooting Primer (2004), Shane Carruth is finally back with Upstream Color, and it turns out the movie has been shot on the Panasonic GH2!
First announced at NAB last year, Panasonic are about to ship their MicroP2 memory cards along with some useful accessories
The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.
And no, nothing to do with triple-gatefold sleeves. Panasonic's AV-HS410 Live Switcher apparently played an instrumental part in Marillion's successful attempt last month on the Guinness World Record for producing the World’s Fastest DVD Release.
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