RedShark News

New Quicktime codecs for Mac released

Published in Technology

Apple have updated their Quicktime codecs for Pro applications to version 1.0.2, adding support for more file formats

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Why can't there just be one, really good, codec?

Published in Technology

Phil Rhodes doesn't mince his words in wondering why not!

Watch out pixels! There's a new Vector-based codec

Published in Technology

Researchers at the University of Bath claim to have invented a codec based not on pixels but on vectors. Vector graphics have been around for a long time but until now they have not been considered to be suitable for general purpose image work - and certainly not for video - because while they have distinct advantages, they are difficult to use where images are complex

8 bit or 10 bit? The truth may surprise you

Published in Technology

It’s a great pity that in order to enjoy the benefits of digital imaging, we must use pixels that may only be one of a comparatively small selection of colours, as opposed to the effectively infinite subtlety of nature. Phil Rhodes spreads light and understanding about quantization and noise.

There are so many great articles in RedShark's archive - we're publishing this again in case you missed it first time!

VP9 codec rides to the aid of 4K

Published in Distribution

Google seems to be saying "Forget H.265 - our VP9 codec is here, now, and is better"

H 265 is the new H 264

Published in Distribution

The (draft) specification for H.265 is out. What is it, and what does it mean for the video industry? We get an expert's view.

Sony explains its new 4K codec: XAVC

Published in Technology

Do we need yet another H.264 - based codec? Sony thinks that we do, and explains why

Sony explains XAVC in detail

Published in Technology

Even though some people groaned when Sony announced their XAVC codec back in October 2012, it's beginning to look like it is more than just another variation on the h.264 theme. What it may turn out to be is a rich environment for 4K production that is widely supported by NLEs and post production vendors

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