Recently I've been expressing the view that all cameras are pretty much the same, because they all use the similar technology (give or take) for their sensors. I don't mean to be unnecessarily cruel about the work of camera manufacturers – taking an electronic component such as an imaging sensor and making it into a usable tool is far from trivial. Still, the absolute performance of cameras is determined by what you can get off the lump of silicon behind the lens
If you're one of the people who's preordered a Blackmagic Cinema Camera, unless you're very lucky, you will probably have noticed that you don't actually have one yet. RedShark, in common with the rest of the world’s media, is eagerly awaiting the arrival of a camera to put through its paces.
To mark the occasion of the new year, our editor has asked me to come up with some predictions for the coming twelve months
Phil Rhodes explains why luminance is so important within photography
Over the weekend we brought you the first images that were from the new RED Dragon sensor. We thought they looked sensational, and said so, but before everyone (including us) gets carried away, it's worth injecting a note of caution into the frenzy that surrounds this new sensor
Somehow, I managed to overlook the fact that last month saw the death of Bryce E. Bayer, the man who decided that the best way to make a single-chip colour imaging sensor was to silk-screen a pattern of coloured filters on the front
If you use a professional digital camera, you can't go far without understanding the relationship between sensors, lenses and depth of field. It's slightly more complicated than you might have thought!. Phil Rhodes makes it understandable