RedShark News

First actual pictures from the RED Dragon Sensor

Published in Technology

Actual photos emerge from the new RED Dragon sensor. RedShark contributor Freya reports

Red EPIC monochrome captures Justin Timberlake!

Published in Production

RedShark contributor Freya's spotted what might be the first musical outing for the RED EPIC Monochrome, recently reviewed in these pages

Preparing to shoot RAW

Published in Post

Peter J. Haas outlines how to go about planning a shoot that utilizes RAW image capture, including a file size comparison between DSLR formats and CinemaDNG , a discussion of shooting ratios and how this translates into storage requirements for a secure post-production environment

A RED Tech installing a DRAGON sensor at NAB: clever theater, yes, but not the big news. Written by RedShark contributor Adam Wilt

RED comes clean

Published in Business

Red comes clean, saying "yes, we are late on almost everything, but it's worth it because what we do is great and changes everything for the better". (Our paraphrase - exact text follows)

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

Dramatic claims from RED: 21 stops from Dragon!

Published in Technology

RED and, say, Sony are diametrically different in so many ways, and perhaps no more so than in the way that the EPIC manufacturer absolutely loves to let information about new products seep from every pore

NAB 2014: Red Dragon - Monochrome in 6K!

Published in Technology

The Red Camera company really likes to be at the forefront of camera resolution and to that end it has now released a monochrome version of its Epic camera with a 6K Dragon sensor.

Filtering Your Look

Published in Production

A show’s look is a powerful storytelling cue that helps orient an audience to a story’s intended genre and tone. In general, comedies look sharper, bluer, and more immediate. Dramas look more diffused, warmer, and past tense. It is the cinematographer’s responsibility to create a look that is consistent with the program’s genre from the very first frame. In this article Barry Braveman looks at how this can be achieved. 

RED EPIC Monochrome Field Test (with video)

Published in Production

Following up his "first impressions" article, Phil Rhodes reports on his actual use of this most unusual of cameras

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