Early this week we had a story about Matrox's DS1 Thunderbolt docking station. We said that the DS1 would go on the end of a Thunderbolt chain, with other devices in between the DS1 and the computer

Why would someone specify a camera before they chose the cinematographer? David Read despairs...

Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail

Following up his "first impressions" article, Phil Rhodes reports on his actual use of this most unusual of cameras

Rolling Shutter is a type of distortion that affects cameras across the price spectrum. The more you know about it, the better you can deal with it

In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now

We've been given a RED EPIC M Monochrome to use for a couple of weeks, lent to us by RED’s European headquarters in Pinewood Studios, West London. Why does this very high resolution black and white video camera even exist?

REDRAY promises high quality 4K delivery and even streaming, and for the first time, we've seen the results

When your showreel looks as good as this, you really don't have anything to prove. You don't have to convince anyone that your kit is good enough for the movies, because your showreel is the movies

The camera maker is taking the long way around the bend, promising 4K revamps of its products by the close of 2014. By then, will anyone care?