RedShark News

Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs

Why you should use Avid DNxHD and Apple ProRes

Published in Post

Modern cameras are simply amazing. The idea that you can record cinema-quality video on a still-picture camera that costs only a few thousand dollars still seems unreal at times.

Sony Alpha 99 Provides Clean HDMI Output

Published in Production

We've just heard from PhotoKina that the Sony A99, with it's 24 megapixel full-frame sensor, outputs a clean HDMI signal that works with external field recorders. This is looking like an established trend now.

Sony's Glasnost: Is Sony opening up to working with other companies and products?

Hands on with the Blackmagic Pocket Cinema Camera

Published in Technology

Last week I was very fortunate to be able to borrow a Blackmagic Pocket Cinema Camera for the afternoon. I was meeting my daughter in Camden Market so I took the camera along and shot some bits and pieces. I have uploaded the footage to Vimeo

Why the new ProRes update for the Blackmagic cameras is going to change everything for users of the Blackmagic pocket camera and open possibilities to new users who thought it might be out of reach for them too!

Blackmagic Hyperdeck Shuttle 2 now supports Apple ProRes HQ

Published in Production

Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.

Why are there so many camera codecs?

Published in Technology

Why can't cameras all use the same codec?

More details on the ARRI Amira

Published in Production

I spoke to the ARRI Amira product manager for the new camera to confirm a few things. While some of this is available from ARRI's website, I just wanted to go over the most important things here

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