Somewhat surprisingly, Sound Devices has added the ability to record 12-bit, 4:4:4 content to Apple ProRes 4444 format at 330 Mbit/s, giving a "perceptually lossless" quality to stored material
Atomos is one of the best examples of a company that rides the wave of new technology. As soon as a new function or capability becomes possible at a sensible price point, Atomos jumps on it and makes a product.
Panasonic has just released a firmware update which delivers a raft of new recording modes and features for the Varicam 35 and Varicam HS cameras.
Most of us, if we're honest, struggle slightly when it comes to configuring even HD equipment and settings. There are enough combinations of frame rates, codecs and resolutions that just about everyone has to stop and think when they're setting up their gear
Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs
We don't think anyone was expecting this. This is such a NON Sony thing. Sony has just announced on their Community website that the Sony F5 and F55 will be able to have a hardware upgrade to two of the most popular post production formats: ProRes and DNxHD