RedShark News

The AJA CION has been available for some time now, but very little finished footage has been seen so far. Here's an example from a production shot in New York.

Somewhat surprisingly, Sound Devices has added the ability to record 12-bit, 4:4:4 content to Apple ProRes 4444 format at 330 Mbit/s, giving a "perceptually lossless" quality to stored material

Sony is releasing firmware updates for its popular F55, F5 and FS7 cameras, unlocking new functionality for these venerable favorites. But in order to take full advantage of these updates, it may cost you.

Fifteen years ago, audio over the Internet was broadcast - and stored - as RealAudio. For those of us listening in over dial-up or downloading one-minute clips, it was an unexceptional entry into the world of new media. Kieron Seth  wonders what will happen to our soon-to-be outdated media files.

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

Blackmagic expands ProRes options on all cameras

Published in Production

Lately, Blackmagic Design has been rolling out new features at a more brisk pace, as evidenced by a recent firmware update that adds more ProRes recording formats to its available cameras.

Perhaps in response to the recent Sony F5 'hack' (or perhaps not; who can say?), Sony has announced that it will now be offering a software only 4K recording upgrade for the Sony F5, in addition to its full Sony F5 to F55 hardware upgrade.

Why you should use Avid DNxHD and Apple ProRes

Published in Post & VFX

Here's another chance to read this article about why it's a good idea to use ProRes, Avid DNxHD, and any of the other production quality compression codecs

While many of us are patiently waiting for the Atomos Shogun 4K HDMI recorder, Convergent Design reminds us that they already have an SDI 4K and other recorders on the market, now made better with a recent firmware update.

Why are there so many camera codecs?

Published in Technology & Computing

Why can't cameras all use the same codec?

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