RedShark News

Film fights back in Christopher Nolan's latest film

Kodak confirms that film isn't going away

Published in Production

Kodak has committed to keep producing film for studios and filmmakers - for as long as they want to use it

ISO ratings made perfect sense in the days of photochemical film but only serve to muddy the waters when it comes to assessing camera performance in the digital age.

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

Is 3D just a phase? Danny Boyle thinks so

Published in Business

Now that the BBC has said that it's not actively pursuing a 3D future any more, does Stereoscopic video have any future? Danny Boyle doesn't think so

Can Blackmagic resurrect film?

Published in Business


You know what you never hear in the edit bay? “This looks too much like film, can we make this look less filmic?” John Burkhart reports

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

Last chance for film

Published in Business

Much as it’s clear that the writing is firmly on the wall for film, it’s still a bit sad to see people like Fuji finally shutting up shop. Their UK office closes today, leaving Kodak the only game in town

Is this finally the end for film?

Published in Technology & Computing

ARRI's Alexa 65mm has made us think that it's a good time to look again at this question

 If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as “nearly as funny as its predecessor” on Rotten Tomatoes

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