RedShark News

Can Blackmagic resurrect film?

Published in Business


You know what you never hear in the edit bay? “This looks too much like film, can we make this look less filmic?” John Burkhart reports

The future of film must include celluloid

Published in Business

A recent event held at the Getty Research Institute in the USA saw the likes of Christopher Nolan argue the case for the use of film in the digital era, against a backdrop that saw a mere 39 commercial US releases shot on 35mm in 2014.

Film vs Digital: here's the reality.

Published in Technology & Computing

We're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

Is 3D just a phase? Danny Boyle thinks so

Published in Business

Now that the BBC has said that it's not actively pursuing a 3D future any more, does Stereoscopic video have any future? Danny Boyle doesn't think so

Does this send film to Oblivion?

Published in Technology & Computing

You may think we're hammering it a bit with the Sony F65, what with our piece on Belle, and with our forthcoming article on what differentiates the F65 from the F55, but let's be clear about this: we are actually at the point where you can make better films with video than you ever could with celluloid - and that's worth a significant amount of coverage

Last chance for film

Published in Business

Much as it’s clear that the writing is firmly on the wall for film, it’s still a bit sad to see people like Fuji finally shutting up shop. Their UK office closes today, leaving Kodak the only game in town

Digital Bolex: It's a drama

Published in Business

Never mind that it will be used to shoot drama - the story behind the design and production of the Digital Bolex D16 is a drama in itself

ISO ratings made perfect sense in the days of photochemical film but only serve to muddy the waters when it comes to assessing camera performance in the digital age.

Film Scanning for the future with 4K Blackmagic Cintel

Published in Post & VFX

 Where's the best source for 4K material? Old films. Blackmagic brings down the cost of film scanning

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