Think about this for a minute: what if Canon were to suddenly announce that their video-capable DSLRs could now output RAW video? That would be sensational, wouldn't it? At the very least it would be a candidate for the "biggest story of the year". Well, that's what happened yesterday. Almost
The new Panasonic Lumix GH3 builds on its predecessor's video-friendly credentials, offering better compression and an all-round improved package. RedShark regular contributor Mark McCarthy of Sparky Media Productions bought one, and put it through its paces
Broadcast Quality Audio Field Recording with Prosumer Cameras and DSLRs ("Unlocking the Mysteries of ‘Phantom Power"). RedShark contributor Craig Marshall reports
We’re in a really odd place at the moment in the evolution of camcorders. Nothing seems straightforward any more
Modern cameras have incredible dynamic range - but you can only access it if you use a "log" or "Cine-style" mode when you record. RedShark Technical Editor, Phil Rhodes, explains how this works, and wonders why there are so many non-standard ways to do it!
Much has been made of the upcoming Canon 70D’s new autofocus system. Panasonic’s been working on its own revolution in autofocus. But where is it?
Developments in the field of magic lantern raw video continue to grow with news that developers have managed to get raw video support up and running on the Canon 50D, a 5 year old camera that predates the Canon 5D Mark II and which shipped without any video capability at all!