RedShark News

What colour is night?

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What colour is night? This simple question leads to some deeper questions about colour in film making

This is how to make a showreel

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This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

Larry Jordan is a well known video industry figure, whose webcasts are listened to in 175 countries. We asked him about editing, color correction, the cloud, and whether he's looking forward to April's NAB - the biggest show of the year

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

What do electric guitars have to do with colour correction?

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Well, nothing really. But some of the tech used to coax new sounds from electric guitars is similar to some types of video production techniques. It's worth taking an "out of the box" look at how the two compare. Oh, and there's some great guitar playing as well

Predicting color under lighting just got a lot easier

Published in Production

First released at NAB earlier this year, the Academy Color Predictor for iOS 7 aims to let you predict and preview the color rendering capabilities of digital cameras under different lighting setups.

Colour grading breakdown

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Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

Colour Correction Overload?

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We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

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