RedShark News

State of the art colour correction - in 1987!

Published in Post

I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

Colour Correction basics - an excellent tutorial video

Published in Post

How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client

Predicting color under lighting just got a lot easier

Published in Production

First released at NAB earlier this year, the Academy Color Predictor for iOS 7 aims to let you predict and preview the color rendering capabilities of digital cameras under different lighting setups.

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.

Here's how to make your films look good

Published in Production

You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains

Color grading in black and white

Published in Post

Tim Burton’s stop-motion Frankenweenie calls for black and white grading

This is how to make a showreel

Published in Post

This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

Colour grading breakdown

Published in Post

Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

Using Resolve with the Blackmagic Cinema Camera

Published in Post

Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

Colour Correction Overload?

Published in Post

We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

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