RedShark News

Blackmagic Davinci Resolve 10: The full rundown

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Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

State of the art colour correction - in 1987!

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I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

What colour is night?

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What colour is night? This simple question leads to some deeper questions about colour in film making

Colour Grading in the Bedroom

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Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

Colour Correction Overload?

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We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Colour correction in Blender: an excellent tutorial

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We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is

Color grading in black and white

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Tim Burton’s stop-motion Frankenweenie calls for black and white grading

This is how to make a showreel

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This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

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