RedShark News

Blackmagic Davinci Resolve 10: The full rundown

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Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

What colour is night?

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What colour is night? This simple question leads to some deeper questions about colour in film making

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Processing colour with analogue eyes

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Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.

Using Resolve with the Blackmagic Cinema Camera

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Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

What do electric guitars have to do with colour correction?

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Well, nothing really. But some of the tech used to coax new sounds from electric guitars is similar to some types of video production techniques. It's worth taking an "out of the box" look at how the two compare. Oh, and there's some great guitar playing as well

Larry Jordan is a well known video industry figure, whose webcasts are listened to in 175 countries. We asked him about editing, color correction, the cloud, and whether he's looking forward to April's NAB - the biggest show of the year

This is how to make a showreel

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This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

State of the art colour correction - in 1987!

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I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

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