RedShark News

Sony's latest range of Televisions, the W9 series, feature a new backlighting technology which massively increases the range of colours that can be displayed.

Processing colour with analogue eyes

Published in Post & VFX

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Colour correction in Blender: an excellent tutorial

Published in Post & VFX

We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is

Light Illusion's new SpaceMatch DCM software promises to guarantee facility-wide colour matching of PC displays by circumventing the standard ICC Profiles that can throw things badly out of kilter.

Movies in colour

Published in Technology & Computing


This is something the world doesn't really "need" but is a little bit nicer because it's there

iPad as a Reference Monitor?

Published in Technology & Computing

The new iPad  - now in its second generation only months after the first Retina device - has the highest resolution screen ever seen on a mobile device, with significantly more pixels than even a full HD (1080p) monitor. There's room for a full HD picture and other data or UI elements all round it.

New cameras, new kit, but what about new workflow?

Published in Production

Today will see the first major round of Press events at NAB in Las Vegas, as the world’s broadcast and film technology manufacturers announce what they will be releasing to make our lives easier in the next 12 months. That’s what they hope, but what do we expect? Miguel Ferros reports

Computer colour is broken

Published in Technology & Computing

Computer software has been getting colour wrong all the time

Color grading in black and white

Published in Post & VFX

Tim Burton’s stop-motion Frankenweenie calls for black and white grading

ACES high. With the technology looking set to feature prominently at NAB, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part One looks at the problems it sets out to solve.

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