RedShark News

This has been a long time coming, and we never actually thought we'd see it: a clean HDMI output from the Canon EOS 5D Mark III. What does this mean and why is it important?

British Telecom have released an incredible 320 gigapixel image that was taken last year from the top of the BT tower in London.

dubai360.com promises to enable viewers to explore Dubai from anywhere in the world utilising state of the art 360 degree multimedia. The sneak preview — a ‘Little Planet’ video taken with four Canon 1Dxs from the top of the control tower at Dubai International Airport — already has our attention.

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

New flexible 20x ultra-zoom from Canon: CN20x50

Published in Production

Canon's new ultra-zoom lens has PL and EF mounts and a focal length up to 1,500mm with a range extender

With a mind-blowing ISO of over 4 million (+75dB), Canon’s new ME20F-SH provides Full HD colour footage in lighting conditions where you’d previously be reaching for the infra-red.

Opinion: Is the DSLR dead?

Published in Production

With the ever-increasing choice in video cameras, some strong opinions are emerging. Craig Marshall reports

Making sense of sensors: Part 1 of 2

Published in Technology & Computing

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

Ever wonder what a Canon 5D MK2, an NEX FS100 and a Blackmagic Cinema camera look like, side by side? Probably not because two of these are the old models and you'd more likely be thinking about a 5D MK3, an NEX FS700 and the Blackmagic camera. But that doesn't make this any less interesting

Canon 1Dc: Where does it fit now?

Published in Production

The Canon 1DC is a curious camera. Based on a top-end DSLR design, with essentially only some additional firmware it becomes a 4K camcorder as well. But where does it fit into the increasingly complex matrix of options around high res, high dynamic range (i.e. RAW) devices that are available today at approximately affordable prices?

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