Last year at NAB, Panasonic revealed its concept for a 4K varicam camcorder. And what a concept it was, with a large sensor and a revolutionary Android-based user interface. It looked like a genuinely new and refreshing idea for the incoming era of 4K or Ultra High Definition
This is a camera that's small enough to always have with you, but don't be deceived by the size: it's a very good imager, as Barry Braverman finds out
The big camera announcements this year have been for large (in terms of capability), top-end cinema-type devices. That's all very exciting. But it does actually take time for cameras to be evaluated, bought, and then used in a production. That's why we're only just starting to see major feature films being made with Sony's natively 4K F65 (After Earth, with Will Smith, for example)
This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail
The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.
So, we've seen the announcement from Sony of two new 4K cameras, new codecs, new recording media and a new 30" 4K LCD monitor. Just how significant is this, and is this the 4K Tipping Point, at least for production, if not all the way to the home?