The big camera announcements this year have been for large (in terms of capability), top-end cinema-type devices. That's all very exciting. But it does actually take time for cameras to be evaluated, bought, and then used in a production. That's why we're only just starting to see major feature films being made with Sony's natively 4K F65 (After Earth, with Will Smith, for example)
JVC has released details of their new GY-HM70 camera aimed at camera operators working at weddings, events and a wide range of other contexts. Stand-out features include strong low-light performance and "superior" image stabilisation
To mark the occasion of the new year, our editor has asked me to come up with some predictions for the coming twelve months
RedShark contributor Freya looks at new ways to get your footage off your camera and back to base
So, we've seen the announcement from Sony of two new 4K cameras, new codecs, new recording media and a new 30" 4K LCD monitor. Just how significant is this, and is this the 4K Tipping Point, at least for production, if not all the way to the home?
Yet another entrant in the crowded action camera field, the Panasonic HX-A100 sets itself apart by being wearable, right out of the box