RedShark News

This is just a bit of fun, but consider for a moment the range and depth of skills that went in to this amazing piece of work

Plurality - Feature film plausibility on a shoestring

Published in Business

The blockbuster science-fiction movie look is now available to anyone with a good story, creative vision and persistance.

The greatest CGI is not in a Sci-Fi film but a costume drama

Published in Post

Baz Lurhmann's The Great Gatsby is built not around expensive sets but probably some of the best CGI ever seen (well, we should probably say "apart from Gravity"  - which, although it's in a CGI league of it's own, is not exactly a historical costume drama)

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: have you ever heard the collective sound of several hundred people's jaws dropping? If you've been to a cinema where they're showing the Life of Pi for the first time, then you probably have

Siggraph has produced a trailer highlighting some of the new and exciting experimental stuff that will be presented at the show

Hyper-realistic CGI and Motion Capture: Big Lazy Robot

Published in Production

More hyper-realistic CGI, with innovative motion capture techniques

Rebuilding Robocop

Published in Post

The story is familiar and even some of the catchphrases are the same. But José Padilha’s reworking of the iconic 1987 action movie is an altogether sleeker affair

Game of CGI and Compositing

Published in Post

Game of Thrones has amazing production values. How is this possible, across multiple series, with an even remotely sensible production budget? This Behind The Scenes video shows how

It's really, really hard to create a GGI human face that's convincing. If you know this, then you also know the reason why so many blockbuster movies (Antz, Bug's life, Cars, WALL•E etc) have been about things and not humans

Here's how Disney uses the power of mathematics to create awesome-looking snow

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