RedShark News

The next generation of audio for TV

Published in Studio & Broadcast

The next generation of audio for television is set to be much more flexible

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

Here's something impossible, being done.

Published in Audio

This is an older RedShark article that we're republishing today, because it doesn't matter how many times we see this demo of Melodyne: it's simply amazing, and that's because this is something that isn't supposed to be possible

Whether you call it single system or in-camera sound, it may be time that camera makers develop products with better native audio recording capabilities.

New Pro Tools: Venerable software reaches version 11

Published in Audio

You can tell that ProTools has been around for a long time. It's just reached version 11 and it looks like this is a significant upgrade, with a brand new "Audio Engine"

RedShark Review: Beachtek DXA-SLR ULTRA

Published in Audio

The Beachtek DXA-SLR ULTRA is an inexpensive audio interface and pre-amp that fits under your camera

Atomos Ninja 2 + Nikon D800: Part 3 of 3

Published in Production

Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.

Phil Rhodes, our Technical Editor, may incur the wrath of audiophiles and engineers with thie idea that "the audio equipment world has it fairly easy," but he draws intriguing parallels between audio and camera equipment development, which may be instructive for manufacturers.

There are advantagest to Adobe CC: you get iZotope tools

Published in Audio

iZotope's audio tools technology is now included with Adobe Premiere Creative Cloud

Rode launches impressive new Stereo VideoMic X

Published in Audio

Rode has announced a new camera microphone, the Stereo VideoMic X, which appears to be an interesting dual capsule setup in an XY Stereo configuration. The two microphone capsules are acoustically matched and have shock mounting built in at the capsule level.

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