For those with a Sony A7s or Panasonic GH4, here's a bit of good news: the Atomos is officially accepting pre-orders for the Shogun, the world's first 4K HDMI recorder, and throwing a Spyder into the mix.
The typically grey and murky English weather is the bane of photographer's lives but on this occasion it only adds to the sense of foreboding as we look at these weird, sinister relics
Why is a big company like Panasonic licensing ProRes not from Apple but from Atomos?
While it's tempting to think that with the Magic Lantern EOS raw hack out in the open that normal, compressed video will never be good enough again, that's taking far too strict a line on it. The fact is that the conventional video output from cameras like the EOS 5D MK III is very good indeed with the exception of certain well-known issues like moire and rolling shutter
Sony's tiny 4K HandyCam supports a full 4K HDMI output that should be compatible with the upcoming Atomos Shogun 4K recorder - months before the A7S
We're following a bit of a theme here: ProRes versus in-camera recording. Here's an extremely interesting clip with a split-screen demonstration of ProRes vs a Canon C100's internal codec which is 24Mbit/s AVCHD
RedShark reader Krasnapolski saw Peter Haas' film Peter Pan Bakery, shot with a Digital Bolex D16, and sent us a link to a very similar production: Mario's Cafe by Roland Denning, a customer at the cafe. It was shot with a Sony Z7 HDV Camera. It's fascinating to compare the two!
This new device from Atomos is what DSLR users have been waiting for - and its half the price we expected!