RedShark News

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

Rise of the Carbon Dragon on Game of Thrones

Published in Production

There’s a new Red Dragon on hit HBO tv series “Game Of Thrones” and no it doesn’t involve Daenerys Targaryen. 

Making sense of sensors: Part 1 of 2

Published in Technology & Computing

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

Shooting on the Arri Alexa in a 4K UHD future

Published in Production

Think the ARRI Alexa only does HD? Think again!

In a sea of 4K announcements, and sailing serenely against the tide of opinion that the days of sub-4K cinema cameras are gone, ARRI has produced glorious-looking showreel for its Alexa camera; a taster for the plethora of projects it's been chosen for

Arri launch new documentary style camera the Arri Amira

Published in Production
A new camera from Arri

A new, higher quality version of ProRes is immediately supported by the ARRI Alexa

Can you make a feature film with an iPhone?

Published in Production

Can you make a feature film with an iPhone? Well, "yes" is the answer if you don't mind a slightly fuzzy-looking picture on a big screen, and if you sit far enough away, but you can certainly get a cinematic "look" if you use cinema-type techniques when you make your film, and some software to give your work its finishing touches.

Could the Amira be the ultimate indie digital cinema camera?

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