A sensational new ARRI ALEXA has just been announced
Rolling Shutter is a type of distortion that affects cameras across the price spectrum. The more you know about it, the better you can deal with it
ARRI’s new cube-shaped camera is designed to be the most versatile Mini camera around and the spec, revealed as a prototype is about to debut at BVE, is certainly impressive.
Why would someone specify a camera before they chose the cinematographer? David Read despairs...
RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?
While it may disappoint many observors who had hopes of a truly affordable ARRI camera, the premium pricing of the ALEXA Mini may be justified by saving productions money down the line.
The new ALEXA XST is a technological tour-de-force that uses ARRI's classic sensor. How does it get 4K from this less-than-4K imager? And what are the advantages of this approach?
After days of walking the convention floor, Rakesh Malik reflects on the new cameras that were featured at NAB 2015.
DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.
Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace
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