RedShark News

The future of TV isn't about resolution but immersion. Netflix wants to take us bigger and wider

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

 Nokia's trying to establish a big lead in phone camera technology with it's new 1020 that sports a 41 megapixel sensor. Just to put it in video terms: that's an 8K sensor, in a phone!

All the detail from Sony's London F5 + F55 launch

Published in Production

There's a lot of information to take in here with these new Sony cameras and all the stuff that goes with them. We've just been to the European launch and things are a little clearer.

The Sony F65 is now an Indie Film camera!

Published in Production

It's kind of surprising to see a top-end camera like the F65 being used in smaller independent films. But the reality is that it's not so expensive and difficult to operate that it's out of range of this type of production. And here's the proof

Sky and other broadcasters tight-lipped on 4K

Published in Business

Sky TV (one of the UK's major broadcaster and widely viewed across Europe) is remaining tight-lipped about their plans for 4K. RedShark contacted them recently with an interview request and the response was that no-one was available. This is in stark contrast to when they were launching 3D, when they were somewhat more effusive about their 3D roadmap

Taken with something of a sense of irony, a camera phone can't do justice to the magnificence of an 8K, 33 megapixel video screen.

The 4K evolution is not about 4K

Published in Business

For consumers, the switch to 4K is inevitable. But the transition may not be as impactful for manufacturers as they hope. Here’s why, and what consumers really want.

UHD is the new HD. Confused? You will be.

Published in Business

The mighty Consumer Electronics Association has defined 4K as UltraHD. Kieron Seth reports

When cameras are Good Enough

Published in Technology

Have cameras reached the point where we need to be looking beyond resolution to judge their film-making abilities?

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