NHK is still pushing forward with its 8K Super-High Vision television project and is planning to begin test broadcasts in Asia next year (2016) with an end goal of broadcasting the entire 2020 Olympics in Tokyo at 8K resolution. To this end it is working closely with Hitachi on developing new 8K video cameras and the latest fruit from this collaboration is the SK-UHD-8060, an 8K camera with a 33-million pixel CMOS sensor.
In many ways IBC2013 was a quiet show. Yes it boasted record visitor numbers, but few things happened out in Amsterdam that hadn’t been predicted beforehand: namely HEVC-powered 4K is on the horizon, the second screen is increasingly important to broadcasters’ plans, and higher frame-rate imaging is moving closer and closer to mainstream acceptance. Andy Stout looks back on five days in Amsterdam
Here's another chance to read this controversial article, which is also the most read-ever piece in RedShark. What do you think?
The current fixation on resolution is misplaced and we’re in danger of missing the point completely when we make films and videos
It's kind of surprising to see a top-end camera like the F65 being used in smaller independent films. But the reality is that it's not so expensive and difficult to operate that it's out of range of this type of production. And here's the proof
The 4K broadcasts from the latter stages of the World Cup in Brazil might have grabbed all the headlines, but Japan’s NHK also oversaw the capture of nine — yes, nine — matches in 8K, while the Final was also captured in 360° panoramic video too.
Here's another chance to read our argument that wider screens would be better than 8K. Screens are getting wider: wider than widescreen. And this is a good thing
While 4K is becoming commonplace, and even 8K is obtainable, the latest medium format digital cameras from Phase One allow timelapse shooting at 10K resolution