RedShark News

IBC2013: What We Learned

Published in Articles

In many ways IBC2013 was a quiet show. Yes it boasted record visitor numbers, but few things happened out in Amsterdam that hadn’t been predicted beforehand: namely HEVC-powered 4K is on the horizon, the second screen is increasingly important to broadcasters’ plans, and higher frame-rate imaging is moving closer and closer to mainstream acceptance. Andy Stout looks back on five days in Amsterdam

There's a seemingly unstoppable trend towards more and more pixels. Greater resolution is heralded as the future of video. David Shapton doesn't think it is. He thinks there is another way. It's a radical suggestion, but completely plausible

At the risk of giving the game away - probably not. But we still think that Ultra Widescreen  - 21:9 - at 4K-type resolutions is a better bet than 8K, for all sorts of reasons

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

Tokyo 2020 points to 8K Future (and 4K's obsolescence?).

Published in Business

The decision by the International Olympic Committee to give the 2020 Olympics to Tokyo means that NHK's decades long project to bring its 8K Super Hi-Vision project to the masses not only has a deadline but that 4K now has the threat of built-in obsolescence to cope with.

The 4K evolution is not about 4K

Published in Business

For consumers, the switch to 4K is inevitable. But the transition may not be as impactful for manufacturers as they hope. Here’s why, and what consumers really want.

Sky and other broadcasters tight-lipped on 4K

Published in Business

Sky TV (one of the UK's major broadcaster and widely viewed across Europe) is remaining tight-lipped about their plans for 4K. RedShark contacted them recently with an interview request and the response was that no-one was available. This is in stark contrast to when they were launching 3D, when they were somewhat more effusive about their 3D roadmap

Taken with something of a sense of irony, a camera phone can't do justice to the magnificence of an 8K, 33 megapixel video screen.

The future of TV isn't about resolution but immersion. Netflix wants to take us bigger and wider

8K & Omnicam: more World Cup innovation

Published in Production

The 4K broadcasts from the latter stages of the World Cup in Brazil might have grabbed all the headlines, but Japan’s NHK also oversaw the capture of nine — yes, nine — matches in 8K, while the Final was also captured in 360° panoramic video too.

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