RedShark News

Technology & Computing

Sponsored article: As anyone that’s ever tried to use a monitor over 27-inches will know, that extra screen real estate comes at the cost of lots of neck craning and subtle shifting of your position. LG’s elegant new 34-once 21:9 QHD display though seeks to change that by adding a curved screen into the mix.
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The technological revolution has created great opportunities for new film-makers everywhere, but has in its wake created a new challenge: where are we going to put all this stuff? Peter J Haas investigates An Affordable Middle Ground To Preserving Your Film’s Digital Assets.
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The new Firmware v3.10.100 for the Odyssey7 and Odyssey7Q does the classic update job of adding features, improving current functions and fixing some previous issues.
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In a heroic feat of dark data analysis, two climate scientists from the University of Colorado have rescued 50-year-old images from Nasa's Nimbus 1 satellite, the first ever Earth observation mission.
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We've bee testing the G-Tech G-SPEED Studio R, which is a desktop Thunderbolt raid system, with styling sympathetic to the Mac Pro, but which can, of course, be used with any computer supporting Thunderbolt. Tom Salisbury reports
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The white heat of technology: Phil Rhodes talks about white light and a possible means of obtaining it with the minimum possible use of power.
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What's the way forward with video? It's not, it seems, more resolution. What people want is better, not more, pixels
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After doing more than any other movie industry figure to legitimise the superhero genre, writer-director Christopher Nolan has left the Bat gadgets behind and turned his attention to environmentalism, space travel and wormholes with Interstellar. In anticipation of its arrival, Framestore is giving cinemagoers an opportunity to (virtually) experience space travel first-hand.
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If you don't understand how we see colour, you don't understand colour. This may be the most important lesson about colour you ever read
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If you think video processing stops when the video hits the screen, you're about as wrong as it's possible to be!
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If you've ever shot material on a Canon DSLR and viewed the results in Quicktime on a Mac, chances are you've noticed that things look perhaps a little more contrasty than you'd intended. Phil Rhodes not only looks at why this happens and the means of avoiding it, but maintains that it is a real and genuine technical issue and…
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