Will Perseus be the go-to codec for 4K?

Published in Studio & Broadcast

Could the new Perseus codec usurp H.265/HEVC for future 4K distribution (and possibly even acquisition)? 

New Quicktime codecs for Mac released

Published in Technology & Computing

Apple have updated their Quicktime codecs for Pro applications to version 1.0.2, adding support for more file formats

Avid launches DNxHR resolution independent codec

Published in Post & VFX

 Avid products will now finally support 4K natively so that you can edit 4K in real time instead of using a proxy, but there have been a few surprises with this announcement at IBC

Samsung's NX1: The first 4K camera to record in H.265

Published in Business

Samsung uses the occasion of Photokina 2014 to launch a camera that's sure to entice not only photographerss, but may lure video shooters as well, featuring 4K recording to H.265, a world's first.

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

World's fastest video codec can handle 16K

Published in Technology & Computing

Post specialist Cinegy has unveiled what it thinks is the world’s fastest codec, DANIEL2, capable of decoding up to 1100 frames per second of 8K video.

VP9 codec rides to the aid of 4K

Published in Studio & Broadcast

Google seems to be saying "Forget H.265 - our VP9 codec is here, now, and is better"

HEVC/H.265: Everything you need to know

Published in Technology & Computing

In a major new article, Phil Rhodes explores the background to HEVC/H.265, and explains what makes it so good at compressing video. Read this if you want to know how almost all video - including 4K - will be delivered in the near future

The art of Colour Rendering

Published in Post & VFX

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

The art of Motion Tracking

Published in Post & VFX

For most of the history of film, if you wanted to insert something into the picture that didn't exist,  the camera had to be stationary. Motion tracking allows artificial objects to be inserted convincingly into real footage. Phil Rhodes explains

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