World's fastest video codec can handle 16K

Published in Technology & Computing

Post specialist Cinegy has unveiled what it thinks is the world’s fastest codec, DANIEL2, capable of decoding up to 1100 frames per second of 8K video.

Replay - The best of 2012: 8 bit or 10 bit?

Published in Technology & Computing

In case you missed first time around, here's one of the best articles from 2012, by Phil Rhodes: 8 bit or 10 bit? The truth may surprise you!

Could VP9 be the codec for 4K Blu-Ray?

Published in Studio & Broadcast

 Even though many pundits think 4K will be delivered by streaming, there are plenty of households still with slower broadband for whom this will not be an option. Now, it seems, Google's free VP9 codec might be a candidate for a new "Blu-Ray" format

Avid launches DNxHR resolution independent codec

Published in Post & VFX

 Avid products will now finally support 4K natively so that you can edit 4K in real time instead of using a proxy, but there have been a few surprises with this announcement at IBC

The art of Motion Tracking

Published in Post & VFX

For most of the history of film, if you wanted to insert something into the picture that didn't exist,  the camera had to be stationary. Motion tracking allows artificial objects to be inserted convincingly into real footage. Phil Rhodes explains

New Quicktime codecs for Mac released

Published in Technology & Computing

Apple have updated their Quicktime codecs for Pro applications to version 1.0.2, adding support for more file formats

VP9 codec rides to the aid of 4K

Published in Studio & Broadcast

Google seems to be saying "Forget H.265 - our VP9 codec is here, now, and is better"

Samsung's NX1: The first 4K camera to record in H.265

Published in Business

Samsung uses the occasion of Photokina 2014 to launch a camera that's sure to entice not only photographerss, but may lure video shooters as well, featuring 4K recording to H.265, a world's first.

Sony explains its new 4K codec: XAVC

Published in Technology & Computing

Do we need yet another H.264 - based codec? Sony thinks that we do, and explains why

8-bit or 10-bit? The truth may surprise you

Published in Technology & Computing

One from the archives: It’s a great pity that in order to enjoy the benefits of digital imaging, we must use pixels that may only be one of a comparatively small selection of colours, as opposed to the effectively infinite subtlety of nature. Phil Rhodes spreads light and understanding about quantization and noise.

Page 1 of 3

Twitter Feed