Blackmagic's cameras are bringing a raw workflow to an uprecedented number of people, and also highllighting the difference between raw and "standard" ("Rec 709) video - the stuff we've been used to up to now. If it seems complicated, it will be a little bit less so once you've read Phil Rhodes' article.
Replay: How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client
As usual in the Winter season, we're re-running some of our most popular articles, in case you didn't see them the first time
RedShark Archive: Gone are the days when a light meter and a trained eye was enough; to do better, we need technological measures and test & measurement equipment. In this article, first published in August 2013, Phil Rhodes discusses a few of the most common approaches and why some may be more useful than others, depending on the circumstances.
This summer we're re-running some of our most popular articles - just in case you didn't see them first time. Here's Phil Rhode's look at how to understand Waveform and Vector displays
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- Saturday 23 Jul 2016 - (15855) One technique to improve your edits
- Friday 15 Jul 2016 - (12908) 8K will absolutely be the new standard for filmmaking
- Saturday 16 Jul 2016 - (11158) Most of us use them, but how does an NLE actually work?
- Wednesday 13 Jul 2016 - (7318) Infographic: The importance of ergonomics [Sponsored]
- Wednesday 27 Jul 2016 - (303) The fastest Nvidia GPU ever: the new Pascal-based Quadro P6000
- Tuesday 26 Jul 2016 - (620) Atomos firmware update brings HDR support to non-HDR displays
- Tuesday 26 Jul 2016 - (831) Shooting sports cinematically...with prime lenses
- Tuesday 26 Jul 2016 - (1706) Is the standard lens just a myth?
- Monday 25 Jul 2016 - (880) How cloud-based production embraces the human element [Sponsored]