Here are some fascinating things that we learned from our sessions at London's Broadcast Video Expo

Oscar-nominated VFX: Guardians of the Galaxy breakdown

Published in Post & VFX

In our next installment of our series highlighting 2015's Oscar nominees for Best Visual Effects, we look at Guardians of the Galaxy, one of three VFX nominees featuring characters from the all-conquering Marvel Universe.

Despite its best efforts at times, the movie industry hasn’t killed creativity... yet. Responding to an ever-more risk-averse climate, film creatives are finding more direct ways to pitch their ideas.

In Part 3 of this 3 part series, HaZ, our VFX correspendent, talks about Networking; not about IP addresses and routers, but getting to know the people you need to know

VFX goes international

Published in Post & VFX

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

Tempo: Red Giant's calling card

Published in Post & VFX

Increasingly, the makers of visual effects software produce shorts to showcase their products. This week, it’s Red Giant Software’s turn to dazzle

With some interesting recent developments in the way images are post produced, the Fraunhofer Institute's work on lightfield arrays is almost ready to leave the drawing board.

This Month there has been a lot of chatter on the Visual effects social media channels about the new iPad app, Setellite, that was released a few weeks ago. HaZ, our VFX correspondent talked to the developers in Amsterdam

Here's a movie teaser trailer that does exactly what it's supposed to do: makes you want to see the film.

Everyone knows about Boris Effects. And, if you're old enough, you'll remember that in the mid to late 90s, it was suddenly possible to create amazing effects and transitions on the slow and clunky NLEs of the time - that looked like they cost a million dollars to produce

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