There’s no better place to see and feel the exponential rate of progress in technology than a modern, state of the art VFX/CGI facility. London’s Soho is packed with them but only a select few can claim such prestigious and mind-bendingly complex projects as Cinesite.
Despite its best efforts at times, the movie industry hasn’t killed creativity... yet. Responding to an ever-more risk-averse climate, film creatives are finding more direct ways to pitch their ideas.
X-Men: Days of Future Past holds a very special distinction for its franchise: it is the first X-Men film nominated for the Academy Award in Best Visual Effects. Here we celebrate the film by sharing two illuminating and visually sumptuous VFX breakdowns.
Anyone working with digital tools today has a wide choice of applications for specialized tasks. An office suite consists of a program for writing text, one for spreadsheets, presentations, a database etc. For a VFX workflow you might use a tool for tracking, one for compositing, one for editing, various tools for simulations and specialized applications for modelling, sculpting, texturing and animation. RedShark contributor and Blender expert Gottfried Hoffmann reports
From World War II to the 1980s, the model men and the optical effects units held sway in the world of movie VFX. Computers were on the way, but first the world's effects teams had to deal with the little problem of colour. By Andy Stout.
Everyone knows about Boris Effects. And, if you're old enough, you'll remember that in the mid to late 90s, it was suddenly possible to create amazing effects and transitions on the slow and clunky NLEs of the time - that looked like they cost a million dollars to produce
BorisFX Continuum Complete 9 (BCC 9) was first released for Avid Media Composer, Sony Vegas Pro and Adobe After Effects / Premiere Pro. Further versions for other host applications such as Apple Final Cut Pro X / Motion 5 and the OpenFX architecture of Blackmagic DaVinci Resolve have arrived which makes it a good time for Mark Zdunnek to assess the package and its capabilities.
Every film-maker starting out wants to make the best short film, and get the best people and equipment to make it happen - but often with little or no budget at all, all in the hope that the idea is strong enough to get investors and potential co-workers to commit.
All the world's a (lighted) stage. With the growing interest in computational photography, might we one day see entire movie studios fitted out with a version of Paul Debevec's Oscar-winning Light Stage idea?
- Friday 17 Feb 2017 - (18918) Panasonic GH5 Review: the first full hands-on report
- Sunday 19 Feb 2017 - (12459) The dramatic ways that technology has changed editing
- Saturday 25 Feb 2017 - (12458) How to completely break the rules with colour
- Friday 24 Feb 2017 - (7918) Sony mirrorless cameras’ secret super power: Clear Image Zoom
- Friday 17 Feb 2017 - (6763) Transform Your Video With Light Leak Overlays (+ Freebie Inside) [sponsored]
- Tuesday 28 Feb 2017 - (448) Space X: The coolest video we saw last week
- Monday 27 Feb 2017 - (826) Sony Xperia XZ Premium: the extreme slo-mo cellphone
- Monday 27 Feb 2017 - (260) How driverless cars will lead to better cameras
- Monday 27 Feb 2017 - (3200) Panasonic GH5 noise reduction appears to be spectacular
- Sunday 26 Feb 2017 - (1601) Fire at Sea: How to grade for documentary