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Here are some fascinating things that we learned from our sessions at London's Broadcast Video Expo

In the third instalment in our series looking at the development of VFX in films, Andy Stout looks at the rise of the computers and takes us from the basic (TRON) to the frankly sometimes terrifying (Jurassic Park)

A closer look at BorisFX Continuum Complete 9

Published in Post & VFX

BorisFX Continuum Complete 9 (BCC 9) was first released for Avid Media Composer, Sony Vegas Pro and Adobe After Effects / Premiere Pro. Further versions for other host applications such as Apple Final Cut Pro X / Motion 5 and the OpenFX architecture of Blackmagic DaVinci Resolve have arrived which makes it a good time for Mark Zdunnek to assess the package and its capabilities.

With some interesting recent developments in the way images are post produced, the Fraunhofer Institute's work on lightfield arrays is almost ready to leave the drawing board.

Tempo: Red Giant's calling card

Published in Post & VFX

Increasingly, the makers of visual effects software produce shorts to showcase their products. This week, it’s Red Giant Software’s turn to dazzle

This Month there has been a lot of chatter on the Visual effects social media channels about the new iPad app, Setellite, that was released a few weeks ago. HaZ, our VFX correspondent talked to the developers in Amsterdam

Adding intentional damage to your video

Published in Post & VFX

Have you ever thought about the close connection between electric guitars and modern post production techniques? It's just possible that you haven't. After all, resemblance between a Marshall amplifier and DaVinci colour grading console is minimal, to say the least

Oscar-nominated VFX: Building Interstellar's black hole

Published in Post & VFX

In the run-up to the 2015 Oscar's, we're highlighting nominees in the Visual Effects category. First up: Interstellar and a behind-the-scenes featurette that explains how the production brought its black hole into being.

The URSA Mini’s best kept secret?

Published in Production

There has been a lot of focus and attention on the new Blackmagic URSA Mini and its abilities, such as a 15 stop dynamic range, well thought out ergonomics and lighter weight than the full size URSA. However one of its hidden talents may also be one of the most ground breaking, especially given the company's acquisition of the Fusion VFX software.

How to fund a short/independent film - Part 1 of 3

Published in Business

Every film-maker starting out wants to make the best short film, and get the best people and equipment to make it happen - but often with little or no budget at all, all in the hope that the idea is strong enough to get investors and potential co-workers to commit.

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